里

The Mongroid （whom she'd also gone to vie w in his excremental kingdom） in the sewers,Venal Anatomica in the charnel h ouses,she in her father's mansion.

更何况 她很高兴这座城市里有三个怪物同时存在：下水管道里的孟格里德（她已经它的腐烂王国里见过这个肮脏的怪物了），墓地里的卫奈尔·阿纳托米卡，以及参议院别墅里的她。

Without giving himself time to reconsider his decision, and, indeed, that he might not allow his thoughts to be distracted from his desperate resolution, he bent over the appalling shroud, opened it with the knife which Faria had made, drew the corpse from the sack, and bore it along the tunnel to his own chamber, laid it on his couch, tied around its head the rag he wore at night around his own, covered it with his counterpane, once again kissed the ice-cold brow, and tried vainly to close the resisting eyes, which glared horribly, turned the head towards the wall, so that the jailer might, when he brought the evening meal, believe that he was asleep, as was his frequent custom; entered the tunnel again, drew the bed against the wall, returned to the other cell, took from the hiding-place the needle and thread, flung off his rags, that they might feel only naked flesh beneath the coarse canvas, and getting inside the sack, placed himself in the posture in which the dead body had been laid, and sewed up the mouth of the sack from the inside.

他弯身凑到那个可拍的布袋面前，用法利亚制造的小刀将它割开，把尸体从口袋里拖出来，再把它背到自己的地牢里，把它放在自己的床上，把自己平常戴的破帽子戴在他头上，最后吻了一次那冰冷的额头，几次徒劳地试着合上仍然睁着的眼睛，把他的脸面向墙壁，这样，当狱卒送晚餐来的时候，会以为他已经睡着了，这也是常事，然后他又返回地道，把床拖过来靠住墙壁，回到那间牢房里从贮藏处拿出针线，脱掉他身上破烂的衣衫，以便使他们一摸就知道粗糙的口袋里的确是裸体的尸身，然后他钻进了口袋里，按尸体原来的位置躺下又从里面把袋口缝了起来。

Fourier analysis consists of Fourier series which can solve limited one-dimensional space Heat-conduction question and Fourier integral which can solve infinite one-dimensional space Heat-conduction question. This is more systematic compared with the other methods, and embodies corresponding beauty of Mathematics to Physics.

傅里叶分析包括傅里叶级数和傅里叶积分，用傅里叶级数法解决有界细杆的热传导问题，用含参数的傅里叶变换法解决无界细杆的热传导问题，比其它方法更系统，体现出一种数学与物理对应的美感。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Taught the courtyard and Sichuan University is the close neighbor face-to-face, in Sichuan University exquisite, plain, the lonesome and quiet environment has attracted me deeply, in the weekend leisurely and carefree day, sky cool, when the sunlight was beautiful, I will hold one to express feelings exquisitely the poetry anthology or an affection moving novel, sat reads on nearby Sichuan University's lotus pond wooden chair, treats entire one happy morning, until the auspicious dusk, looks in the lotus pond the summer was in full bloom chaste simple and elegant lotus, but also had the old tree diversity sky, the cover big gingko the long tree's shadow which threw down in the sunlight, was listening to Sichuan University West China dam ancient, but longThe ding, immerses class in the time, wanders about dream in the literature.

教院和川大是面对面的近邻，川大里优美、古朴、幽静的环境深深地吸引了我，在周末悠闲的日子，天空清凉，阳光明媚时，我会捧着一本优美抒情诗集或者一本深情动人的小说，坐在川大的荷花池边的木椅上阅读，待上整整一个美好的上午，直到祥和的黄昏，看着荷花池里夏天盛开的纯洁清雅的荷花，还有古树参差的天空，茂密高大的银杏在阳光中投下的悠悠的树影，听着川大华西坝里古老而悠长的钟声，沉浸在时光之流里，徜徉在文学之梦里。

After the mother in the car sees, procrastinate in the car go back, since Zun Baiju too travel hill casts in the car, the result cast in the eye of the mother in the car, the mother in the car feels the eye became dark only one dark, be like insufflate a dirt, knead with the hand, play northwest, big hill is interrupted accordingly, what play the stone that go out, for present Heng Shan, are you to also had seen?

车里的母亲见后，把车里拖回去，左伯举起太行山掷车里，结果掷到了车里母亲的眼中，车里母亲只觉得眼睛暗了一暗，好像吹进了一粒灰尘，就用手揉了揉，向西北一弹，大行山因此中断，所弹出的石头，为现在的恒山，您不是也看到过吗？

In tranquil night I in stares at to look at sky star view month circle content perhaps in this Christmas day I did not look that snowflake actually may feel same cool perhaps in this Christmas day I did not look that family member actually may feel same kind perhaps in this Christmas day my hear laughter actually may feel same happy perhaps in this Christmas day I do not hear comfort actually to be possible to feel same warm joyful I dark to see society happy equally has also liked with mine both eyes retaining I like feeling which celebrates liking my today's feeling offering for friend of mine listen ........................ that tune tune music to resound in the sky to look ........................ that star, in the clouds see pace back and forth Christmas day in we to be possible to see lovers connecting rod waited for together in the sky the snowflake falls gently Christmas day in we to be possible to hear the friends to wait for hoped together in the time vainly hopes for realizes I to want well to use my this blessing heart to open better smoother which front you path enables you to be possible to walkI good want to use heart which my this double feels grateful to lead you to realize vainly hoped for that enables you to be possible live each US more joyful Christmas day's today I for your these my life in friend to pray hoped in the new year safe joyful happy Christmas day's today I pray for heavenly blessing for your these my life's in friend to hope in the new holiday happy beautiful intoxicant.

在宁静的夜晚我一个人在凝望看天空星斗观月圆美满也许在这一个圣诞节我看不到雪花却可以感受一样的清凉也许在这一个圣诞节我看不到亲人却可以感受一样的亲切也许在这一个圣诞节我听不到笑声却可以感受一样的欢乐也许在这一个圣诞节我听不到安慰却可以感受一样的温欣我冥冥中看到了人世间的欢乐也一样喜欢用我的双眼保留我喜欢喜庆的感觉喜欢把我今天的感觉奉献给我的朋友听……………………那一曲曲音乐在天空中响起看……………………那一颗颗星星在云朵见徘徊圣诞节里我们可以看到恋人们牵手一起等待天空中雪花的飘落圣诞节里我们可以听见朋友们等待一起盼望时光里梦想的实现我好想用我这颗祝福的心来开启你们前方的道路让你们可以走的更好更平坦我好想用我这双感恩的心来带领你们实现梦想让你们可以活的每美更快乐圣诞节的今天我为你们这些我生命中的朋友祈祷希望新的一年里平安快乐幸福圣诞节的今天我为你们这些我生命中的朋友祝福希望新的节日里开心美丽醉人

However, I would like to acknowledge, especially, B. Gentry Lee; the Cosmos production staff, including the senior producers Geoffrey Haines-Stiles and David Kennard and the executive producer Adrian Malone; the artists Jon Lomberg (who played a criticalrole in the original design and organization of the Cosmos visuals), John Allison, AdolfSchaller, Rick Sternbach, Don Davies, Brown, and Anne Norcia; consultants Donald Goldsmith, Owen Gingerich, Paul Fox, and Diane Ackerman; Cameron Beck; the KCET management, particularly Greg Andorfer, who first carried KCET's proposal to us, Chuck Allen, William Lamb, and James Loper; and the underwriters and co-producers of the Cosmos television series, including the Atlantic Richfield Company, the Corporation forPublic Broadcasting, the Arthur Vining Davis Foundations, the Alfred P.

然而，我还要特别感谢 B·金特里·李及《宇宙》电视系列片全体制作人员——包括老一辈制片人杰弗里·海恩斯－斯太尔斯和戴维·凯纳德以及监制人艾德里南·马龙，画家乔恩·龙伯格（他那富有独创性的布景设计与组织能力对《宇宙》的拍摄起了关键性的作用）、约翰·阿利森、阿道夫·沙勒、里克·斯特恩巴赫、唐·戴维斯、布朗和安妮·诺西亚；顾问唐纳德·戈德史密斯、欧文·金杰里奇、保罗·福克斯和黛安妮·阿克曼、卡墨伦·拜克；KCET管理人员，特别是格雷格·安多尔弗（他首先把KCET的建议传达给我们）、丘克·艾伦、威廉·拉姆和詹姆斯·洛珀，《宇宙》电视系列片的担保人和合作制片人，其中包括大西洋里奇菲尔德公司、公共广播公司、阿瑟·维宁·戴维斯基金会、艾尔弗雷德·斯龙基金会、英国广播公司和波利特尔国际组织。

We're here to memorialize 29 Americans: Carl Acord. Jason Atkins. Christopher Bell. Gregory Steven Brock. Kenneth Allan Chapman. Robert Clark. Charles Timothy Davis. Cory Davis. Michael Lee Elswick. William I. Griffith. Steven Harrah. Edward Dean Jones. Richard K. Lane. William Roosevelt Lynch. Nicholas Darrell McCroskey. Joe Marcum. Ronald Lee Maynor. James E. Mooney. Adam Keith Morgan. Rex L. Mullins. Joshua S. Napper. Howard D. Payne. Dillard Earl Persinger. Joel R. Price. Deward Scott. Gary Quarles. Grover Dale Skeens. Benny Willingham. And Ricky Workman.

我们在这里，怀念29位美国人：卡尔·阿克德、杰森·阿金斯、克里斯多佛·贝尔、格利高里·布洛克、肯尼斯·查普曼、罗伯特·克拉克、查尔斯·蒂莫西·戴维斯、克里·戴维斯、迈克尔·埃尔斯维克、威廉·格里菲斯、史蒂芬·哈拉、爱德华·琼斯、理查德·雷恩、威廉姆·林奇、尼古拉斯·麦考斯基、乔·马克姆、罗纳德·梅尔、詹姆斯·姆尼、亚当·摩根、雷克斯·姆林斯、乔什·纳皮尔、霍华德·佩恩、迪拉德·波辛格、乔尔·普莱斯、迪华德·斯科特、加里·考拉斯、格罗佛·斯金斯、本尼·威灵汉姆、里奇·沃克曼。

We're here to memorialize 29 Americans: Carl Acord , Jason Atkins, Christopher Bell, Gregory Steven Brock, Kenneth Allan Chapman, Robert Clark, Charles Timothy Davis, Cory Davis, Michael Lee Elswick, William I Griffith, Steven Harrah, Edward Dean Jones, Richard K Lane, William Roosevelt Lynch, Nicholas Darrell McCroskey, Joe Marcum, Ronald Lee Maynor, James E Mooney, Adam Keith Morgan, Rex L Mullins, Joshua S Napper, Howard D Payne, Dillard Earl Persinger, Joel R Price, Deward Scott, Gary Quarles, Grover Dale Skeens, Benny Willingham, a nd Ricky Workman.

我们在这里怀念29位美国人：卡尔。阿克德，杰森。阿金斯，克里斯多佛。贝尔，格利高里。史蒂夫。布洛克，肯尼斯。艾伦。查普曼，罗伯特。克拉克，查尔斯。蒂莫西。戴维斯，克里。戴维斯，迈克尔。李。埃尔斯维克，威廉。I。格里菲斯，史蒂芬。哈拉，爱德华。迪恩。琼斯，理查德。K。雷恩，威廉姆。罗斯威尔特。林奇，尼古拉斯。达利尔。麦考斯基，乔。马克姆，罗纳德。李。梅尔，詹姆斯。E。姆尼，亚当。基斯。摩根，雷克斯。L。姆林斯，乔什。S。纳皮尔，霍华德。D。佩恩，迪拉德。厄尔。波辛格，乔尔。R。普莱斯，迪华德。斯科特，加里。考拉斯，格罗佛。戴尔。斯金斯，本尼。威灵汉姆以及里奇。沃克曼。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。