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采用象征

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"Symbolism, impressionism, surrealism, theatricalism, expressionism, and absurdism are used to express aspects of the sensibility."

为表现这种情感的各个方面,人们采用象征主义,印象主义,超现实主义,夸张派,表现主义和荒诞派的手法。

"Symbolism, impressionism, surrealism, theatricalism, express ionism, and absurdism are used to express aspects of the sensibility."

为表现这种情感的各个方面,人们采用象征主义,印象主义,超现实主义,夸张派,表现主义和荒诞派的手法。

When we study the 20~ century Chinese clan/family novel systematically, we will find that the novel text of the clan/family novel in the times of May Fourth Movement: the conflict relationship of father and son is a metaphor for our nation situation in the traditional feudal symbol order; adopts unity of oppositions in the narrative mode, rebellious son perspective and look-down perspective; in the clan/family novel text in the "seventeen years", the complot of father-son relationship covers great narrative of revolution history and comply to the narrative syntax of revolution-centered, versatile perspective and "look-up" perspective; for the clan/family novel writing, the explanation of the relationship between father and son imitated and overturn the historical narrative and set up imitation and ironic narrative mode, the perspective of "I" and observation.

对20世纪中国家族家庭小说进行系统全面的梳理,我们发现:"五四"时期的家族家庭小说文本,父子关系的对立隐喻着传统封建象征秩序下的民族遭际,采用二元对立的叙事模式及家族逆子视角与"俯视"视点;"十七年"时期的家族家庭小说文本,父子关系的共谋谱写着宏大叙事遮蔽下的革命历史,恪守以阶级斗争为中心的叙事语法及全知全能视角与"仰视"视点:新时期以降的家族家庭小说创作,父子关系的解构书写着戏仿与颠覆的历史叙事,创立戏拟与反讽的叙事模式及第一人称"我"的视角与"平视"视点。

In my view, suppositive forms are themselves representative of the critical attitude of Bulgakov to reality.under which Bulgakov could ridicule and criticise the ugliness of the society and the people in this society.The second part is a symbolistic anylysis of Bulgakov"s works,stressing that only symbolic reading can reach the works" inner meanings and the author"s intentions, which are philosophical thoughts upon the meanings of war,people"s responsibilities to nature and socity, people"s choices of sprirtual morals, and the future of nation and society.*"

笔者认为,在当时的文化背景下,作者选用假定性形式本身就已经表现了对现实的批判态度,另外采用假定性形式也有助于作者对社会的弊端和人们的丑恶行径进行讽刺和批判;第二节从象征的角度切入,认为布尔加科夫的作品应该用象征化的眼光来解读,只有读懂了象征的意蕴,体会它要传达的哲理内涵,才能真正把握作品的主旨,而作品的主旨就在于作者对诸如战争的意义、人对于自然和社会所应负的责任、人对精神道德的选择、国家和社会的前途等哲学问题的深入思考。

The very paper investigates the symbolical means in works of Russian symbolist writers at the end of 19 century — beginning of 20 century for expressing their religious outlook.

本文旨在研究19世纪末—20世纪初俄罗斯象征主义作家在其作品中为表达他们对世界的宗教性认识而采用的象征手法。

His works have obvious symbolism features on the stylistic view, the artistic language he used in line with the definition of symbolism, that is,"imply some kind of abstract unperceptive human emotion or concept with specific objects that people can perceive".

从风格学上看,武明中的这类作品具有显而易见的象征主义特征,武明中采用的艺术语言符合象征主义的定义,即"用具体的人们可以感知的物象来暗指某种抽象的不可感知的人类情感或观念"。

Said the book used symbolically ironic industrial civilization to the natural human impact : CLIFFORD belongs to the representatives of industrial civilization, and not living in the apartment, advocating rules, control advocates desire Industrial development is the result of civilized; MELLORS and live in a home-made wooden chalets, and nature as partners, Combining these concepts in the pursuit of natural, down-to-earth return.

说这部小说采用象征手法讽刺工业文明所带来的给自然人类的冲击:CLIFFORD属于工业文明的代表,住在科技带来的公寓中,崇尚规则、主张控欲,是工业发展造就的文明人;而MELLORS则住在自制的小木屋中,与自然为伴,追求自然的无欲无求、回归平实。

Appearance on the F8 notebook series is based on the classic mold, color is used on high-end ASUS symbolic black design, piano paint to the process, machine gives a feeling of luxury.

外观上,本本采用的是F8系列的经典模具,颜色上则采用了华硕象征高端的黑色设计,加以钢琴烤漆的工艺,整机给人一种奢华的感觉。

The performance of the actors and setting on the stage are mainly symbolic.

京剧中演员的表演和舞台背景设计多采用象征手法。

The emblem as shown above embodies both rich local features of Nanjing and the international color of the WHCCE; the bilingual name of the Exposition is symbolic of a platform for cross-culture exchanges; the red-hued brushwork of the traditional Chinese painting stands for a long splendid history of Nanjing, as well as a long history of cultural intercourse between the East and the West; the red hue that the emblem takes on symbolizes vigor, hospitality, and prosperity on the part of the city of Nanjing and her residents, who are looking forward to meeting friends around the world in the historical and cultural city of Nanjing, a city of fraternity and joy.

会徽既具有浓郁的南京地域特色,同时也体现了名城会的国际化色彩。中、英两种文字点明的名城会名称象征着名城会是中外文化交流的平台。名城会名称上方的一抹红色国画笔触既象征着南京文脉源远流长,也象征着东西方文化融会贯通。会徽采用红色,寓意热情、希望和生机,代表热情的南京人民与海内外朋友们&相聚在文化名城,狂欢在博爱之都&的期盼与喜悦之情,也象征着南京文化事业和文化产业的蓬勃发展。

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