醉酒

Better than that, another time when we were on the coast of Coromandel some savages gave us I don't know what sort of a mixture of pepper and vitriol, and that didn't hurt me one bit. I can't make myself drunk.

有一天，我在印度科罗曼德尔海岸，当地土著人让我们喝一种不知叫什么名字的酒，像是一种劣质烧酒掺了胡椒；我喝了也一点没有醉……我是不会醉的。

If the old tragedy was wrecked' aesthetic Socratism is to blame, and to the extent that the target of the innovators was the Dionysian principle of the older art we may call Socrates the god's chief opponent, the new Orpheus who, though destined to be torn to pieces by the maenads of Athenian judgment, succeeded in putting the overmastering god to flight.

既然一切旧悲剧都在这种新艺术上碰得粉碎，那末审美苏格拉底主义乃是一种毁灭性的原理；但是，既然这斗争的矛头指向旧悲剧中的醉境因素，那末我们就不妨把苏格拉底看作酒神的敌手。他是起来反抗酒神的新奥斐斯，虽则他命定要被雅典法庭的酒神侍女们撕死，但是他也不得不把这位强大的神灵赶走。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

Nothing is more destructive, either in regard to the health, or the vigilance and industry of the poor than the infamous liquor, the name of which, derived from Juniper in Dutch, is now by frequent use and the laconick spirit of the nation, from a word of middling length shrunk into a monosyllable, intoxicating gin, that charms the unactive, the desperate and crazy of either sex, and makes the starving sot behold his rags and nakedness with stupid indolence, or banter with in senseless laughter, and more insipid jests; it is a fiery lake that sets the brain in flame, burns up the entrails, and scorches every part within; and at the same time a Lethe of oblivion, in which the wretch immersed drowns his most pinching cares, and, with his reason all anxious reflections on brats that cry for food, hard winter's frosts, and horrid empty home.

没有什么比之&松子酒&这样一种臭名昭著的酒对于穷人们的健康、神经警觉和工作更为有害的东西了。这酒的名称原本来自荷兰语中对于桧类树木的称谓，现在，在一个崇尚简洁精神的国度里、通过经常性的使用，从一个中等长度的词汇压缩成了单音的、醉人的&松子酒&，迷惑着那些麻木绝望痴迷的男女，让饥饿的人带着愚昧的懒惰用袋子裹着裸体的身子干坐，或是无聊地说笑，讲着乏味的笑话活着；彷佛是个满是酒精的湖，把这些人的脑子点着了火，燃烧到肠子，烧到身体的各个部位；同时，忘神来了，把酒鬼们最后一点在意都淹没掉，一点良心都没有，不再焦虑地看着自己那些哭着要食物的儿郎，不再顾及冬天的霜冻和可怕空旷的家。

These four legends express the four stages descended by the drunkard; the first, intoxication, which enlivens; the second, that which irritates; the third, that which dulls; the fourth, that which brutalizes.

在第一个爵杯上刻着&猴酒&两字，第二个上刻着&狮酒&，第三个上刻着&羊酒&，第四个上刻着&猪酒&那四种铭文标志着人饮酒入醉的四个阶段：第一阶段是活跃阶段，第二，激怒，第三，迟钝，最后，胡涂。

These four legends express the four stages descended by the drunkard; the first, intoxication, which enlivens; the second, that which irritates; the third, that which dulls; and the fourth, that which brutalizes.

在第一个爵杯上刻着&猴酒&两字，第二个上刻着&狮酒&，第三个上刻着&羊酒&，第四个上刻着&猪酒&那四种铭文标志着人饮酒入醉的四个阶段：第一阶段是活跃阶段，第二，激怒，第三，迟钝，最后，胡涂。

On the first goblet this inscription could be read, monkey wine; on the second, lion wine; on the third, sheep wine; on the fourth, hog wine. These four legends express the four stages descended by the drunkard; the first, intoxication, which enlivens; the second, that which irritates; the third, that which dulls; and the fourth, that which brutalizes.

在第一个爵杯上刻着&猴酒&两字，第二个上刻着&狮酒&，第三个上刻着&羊酒&，第四个上刻着&猪酒&那四种铭文标志着人饮酒入醉的四个阶段：第一阶段是活跃阶段，第二，激怒，第三，迟钝，最后，胡涂。

Awake, all of you drunkards, and weep; and wail, all you drinkers of wine, because of the new wine; for it is cut off from your mouth.

酒醉的人哪，要清醒哭泣；好酒的人哪，都要为新酒哀号，因为从你们的口中断绝了。

Though this spirit has an alcohol content of 76%(versus 70% for foreign whiskies), it is less likely to leave tipplers with a hangover.

张铭智指出，金车由生产咖啡、矿泉水跨足酿酒，董事长李添财认为「喝酒是开心的事，不能让人有后遗症」，强力要求酒厂在收酒时必须精准地避开会让人宿醉头痛的成分，忍痛只收取10％的「酒心」，酒精浓度高达76％（国外的威士忌约70％），但却不会让人酒醒后头痛欲裂。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。