酒神的

At the early works, rapture as the state of Dionysus is the opponent of dream which is the state of Apollo, while later, the Dionysian and the Apollonian are two kinds of rapture. The Apollonian is idealization, relating to form -engerdering.

在尼采思想的早期，陶醉是作为酒神状态与日神状态的梦幻相对立的，但是到了晚期，陶醉成为酒神状态与日神状态的合一，日神状态成为陶醉的类别。

The third part reveals the Dionysian revival in Joyce's narration with the assistance of Bahktin's carnivalesque theory and Dionysus'antagonism to Apollonian hegemony is translated into the modern version of liberating strength to spiritual freedom and the courage to confront any horror.

第三部分借助巴赫金的狂欢文学理论，揭示酒神精神在乔伊斯叙述手法上的复兴；酒神对日神霸权的反抗演变成现代文本中对精神自由的追求和反抗强权的勇气。

When Archilochus, the first lyric poet of the Greeks, hurls both his frantic love and his contempt at the daughters of Lycambes, it is not his own passion that we see dancing before us in an orgiastic frenzy: we see Dionysus and the maenads, we see the drunken reveler Archilochus, sunk down in sleep--as Euripides describes him for us in the Bacchae, asleep on a high mountain meadow, in the midday sun--and now Apollo approaches him and touches him with his laurel.

当第一个希腊抒情诗人阿奇洛科斯对吕甘伯斯的女儿表示热恋又表示蔑视之时①，我们不仅见到他的热情如醉如狂地悸动，我们还见到酒神和他的侍女们，见到酩酊大醉的阿奇洛科斯陶然的睡态，正如欧里庇德斯在"酒神侍者"中所描写的在高山草地上日中高卧那样。

And beneath it, springing from the same mould , wasthis diabolical offering to Priapus. With the per

那种玫瑰，在它下方，好像生长于同一个模子，这恶魔的奉献物是给普罗阿普斯（希、罗神：男性生殖神，酒神和爱神之子的。

A priestess or female votary of ''.

酒神女祭司，酒神女信徒酒神巴克斯的女祭司或女信徒

The second part indicates the Dionysian revival in the modern Irish context: the primitive Dionysian rituals, his carnival ecstasy, his sensual abandon and his pursuit of eternity all revive in Ulysses in the forms of bar cultures, the Irish folk humor, the characters'grotesque bodies and carnivalesque chronotope.

第二部分指出酒神原始的酣醉、乐曲和舞蹈等仪式上的复兴；酒神古老的仪式、狂喜、感官放纵和对永恒的追求演变成现代爱尔兰社会的酒吧文化、民间欢歌乐舞、&怪诞身体&和&狂欢时空体&。

Yet we were comforted by indications that nevertheless in some inaccessible abyss the German spirit still rests and dreams, undestroyed, in glorious health, profundity and Dionysian strength, like a knight sunk in slumber; and from this abyss the Dionysian song rises to our ears to let us know that this German knight is still dreaming his primordial Dionysian myth in blissfully serious visions.

虽然如此，但德国精神还睡在深不可测的渊壑中，安然无恙，奥妙莫测，还保持着醉境力量，如同一个好梦正浓的武士；酒神祭的歌声，从这深渊飘送到我们的耳朵，教我们知道：这位德国武士，在快乐而庄严的梦境中，尚且梦着他的原始的酒神神话。

At the same time, with the wine of god spirit to overcome life tragic aesthetic life or a drunk, emphasize the life in the art of wine drunk, god through life force and the life directly facing transmigrating pain, achieve beautification and joy of life itself.

同时，以酒神精神克服人生悲剧性的审美人生还是一种醉的人生，强调在酒神艺术的醉中，通过生命力量的提高而直接面对永恒轮回之人生痛苦，从而达到生命自身的美化和欢悦。

When Archilochus, the first lyric poet of the Greeks, hurls both his frantic love and his contempt at the daughters of Lycambes, it is not his own passion that we see dancing before us in an orgiastic frenzy: we see Dionysus and the maenads, we see the drunken reveler Archilochus, sunk down in sleep--as Euripides describes him for us in the Bacchae, asleep on a high mountain meadow, in the midday sun--and now Apollo approaches him and touches him with his laurel.

当第一个希腊抒情诗人阿奇洛科斯对吕甘伯斯的女儿表示热恋又表示蔑视之时①，我们不仅见到他的热情如醉如狂地悸动，我们还见到酒神和他的侍女们，见到酩酊大醉的阿奇洛科斯陶然的睡态，正如欧里庇德斯在&酒神侍者&中所描写的在高山草地上日中高卧那样。

Up to this point I have developed at some length a theme which was sounded at the beginning of this essay: how the Dionysian and Apollinian elements, in a continuous chain of creations, each enhancing the other, dominated the Hellenic mind; how from the Iron Age, with its battles of Titans and its austere popular philosophy, there developed under the aegis of Apollo the Homeric world of beauty; how this "naive" splendor was then absorbed once more by the Dionysian torrent, and how, face to face with this new power, the Apollinian code rigidified into the majesty of Doric art and contemplation.

在梦神的爱美冲动统治下，荷马世界从青铜时代及其铁旦神统战争和严厉的民间哲学发展而成；荷马的&素朴&的繁荣又被酒神文化的滔滔狂潮淹没了；于是梦神文化起来反抗这种新势力，终于达到多里斯艺术和多里斯世界观的威严。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。