都德式

From a contemporary logic point of view, Aristotelian assertorical syllogism can be reduced to first figure of categorical syllogism.

在现代逻辑看来，亚里士多德实然三段论都可以化归为第一格AAA式。

Worse, he had spent two years traveling up and down Germany trying to win back politicians, businessmen and a hostile press after his public-relations gaffe during the first Mannesmann trial: a two-fingered Churchillian V for victory when making his first court appearance.

更糟糕的是，他花费了两年的时间，跑遍全德上下，试图重新赢得政治家，商业人士和不友好的媒体。这一切都是为了弥补他在公共关系方面犯下的一个低级错误：曼内斯曼一审时，他首次出庭就伸出两个手指---丘吉尔式的胜利手势。

The impossibility of approaching too close, his costume of an emigre preceptor, the declaration of Thenardier which made a grandfather of him, and, finally, the belief in his death in prison, added still further to the uncertainty which gathered thick in Javert's mind.

过分靠近他，是不可能的，他那种落魄的西席老夫子式的服装，德纳第加给他的祖父身份，还有认为他已在服刑期间死去的想法，这些都加深了沙威思想上越来越重的疑忌。

Farinelli's first appearance, at the theatre in Lincoln's Inn Fields , was in Artaserse, a pasticcio opera for which his brother Riccardo Broschi had composed some of the music. Though his success was instantaneous and enormous, neither the Nobility Opera nor Handel's company was able to sustain the public's interest.

Farinelli的首演是在林肯旅馆野地的Artaserse剧院，一出混成式歌剧，他的哥哥Riccardo Broschi作了里面的一些曲子，虽然他的成功是立即且巨大的，但不论是贵族剧院或是韩德尔剧团都无法一直维持大众的兴趣。

The brochure for 07 is bizarrely brilliant, all the images are black and white, shot in a beach and peppered throughout are shots of a silver-haired, grandfatherly gentleman whose accessories include a massive top hat, a saddle and an Edwardian armchair!

07年的宣传册很不错，所有的图片都是黑白的，在沙滩拍摄的，当中点缀著一个银发的老者的照片，他随身的饰物包括一顶硕大的高礼帽，一个马鞍，以及一张爱德华式的安乐椅！

Both rifles came standard with either a Leatherwood/Realist scope 3-9x Adjustable Ranging Telescope.

两种步枪都成为了标准，使用莱瑟伍德或者Realist的3-9倍可调距离望远镜式瞄准镜。

Venice was destroyed by fire in the rebirth of the Phoenix Opera House again, the great Renaissance and Byzantine architecture, one of the world's most beautiful squares - Piazza San Marco, it was suffocating corridors of the United States, the master Antonioni's best films Some paragraphs in here shooting; Here is a Renaissance town, producing over history, one of the most important school of painting: Venetian school of painting; German musician Richard Wagner, passed away here in this city of former ...... The glory and dreams through the well-preserved architectural abnormalities extended to today, it will give visitors a unique atmosphere, feeling as though by magic, so that those who came to the Venice tourists are obsessed with parting, enjoyable.

威尼斯有毁于火中又重生的凤凰歌剧院，伟大的文艺复兴和拜占庭式建筑，世界上最美的广场之一—圣马可广场，有美得令人窒息的回廊，大师安东尼奥尼电影中最美的段落有一些就在这儿拍摄；这儿是文艺复兴的一个重镇，产过历史上最重要的画派之一：威尼斯画派；德国音乐大师理查德瓦格纳在这里与世长辞……这个城市昔日的光荣与梦想通过保存异常完好的建筑延续到今天，它独特的气氛令游人感到如受魔法，令凡是来过的威尼斯游客都念念不舍，乐而忘返。

As held by Heidegger, although Husserl's phenomenology had challenged dualism of Descartes' type as well as had surmounted the traditional views about the implication of such concept as "being" and "truth", on the foundation it can still be looked upon as a type of subjectivistic philosophy.

在海德格尔看来，尽管胡塞尔现象学特别是它的三个重要发现在挑战笛卡尔式的心物二元论、突破传统的真理和存在概念等方面具有重要的意义，但无论是从其理论内容本身来看，还是从胡塞尔对他本人的哲学与笛卡尔、康德等人的哲学的关系的自我陈述来看，胡塞尔现象学都可以说是未脱近代主体性哲学之窠臼。

The idea that each of us contains many possible selves, patiently waiting to be liberated by circumstance, has long been an attractive one for Proust's biographers, who have drawn attention to the large number of Prousts who seemed to live within the same skin: the reclusive socialite (Proust's most recent biographer in English, Edmund White, describes him as a 'playboy-monk'); the critic of habit who lived according to strict routines; the sensitive aesthete who became sexually excited by watching caged rats being stabbed with hatpins.

我们每个人可能都是多面的，正等待着去被发现，不同的情景有不同发现。那些普鲁斯特的传记作家长期以来都接受这个的观点，他们让人看到了许许多多不一样的普鲁斯特，他们笔下的普鲁斯特也就名字一样而已：隐居的社会名士（普鲁斯特最新的英文传记的作者爱德蒙·怀特就把他说成是一位花花公子式僧侣）；身穿教服的评论家，有着苛刻的生活准则；敏感的美学家，看到笼子里的老鼠被帽针刺到都会变得亢奋不已。

The author, Manfred Kets de Vries, argues that the "neurotic imposter" drives himself so hard and is so punishing to both himself and others that his company or team becomes a sort of gulag.

这篇文章的作者是曼弗瑞德凯茨德弗里斯。他辩称，&神经质型骗子&对自己要求过于严格，这于己于人都非常有害，最后他的公司或者团队会成为一种集中营式组织。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。