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More important, ZHOU DUO REN's sensitivity to colorful city life and innervation rhythn make him not choose nowdays popular picture drawings and paint realistically writings, but choose abstract demonstrating manner style.

值得关注的是,对都市生活缤纷的色彩和动感的节奏的敏感使周多任没有选择当下流行的图示性绘画和写实语汇,而是选择了抽象表现性的表达方式。

As a formed writer with female idea, she look forward to female can riddance various binding of history., cultural,, physiological., psychical and become free female and have a good life. She wasn"t according to apotheosize female"s condition, she noticed that money shift females fate and naticed to flesh shift fate by themselves.

张爱玲认同、接受女性的性别角色,但并不以神化女性为条件,张爱玲的女性意识是女人而女性的;张爱玲注意到了都市社会中金钱对女性命运的奴役,同时也注意到女性情欲对自己命运的役使,在张爱玲的作品里,性之于生命,就象饮食一样重要,性与爱天然地存在于女性的天性里。

In evaluation indexes, changefulness, straightness and embellishment, modernity, beauty and safety will be the best six priorities in spatial landscape construction in future.

最低五名依序是:变化性、平直性与陪衬性、现代感、优美感及安全性,这六项乃成为未来都市规划单位最需要优先创造的空间风貌指标。

This Peugeot concept car I design will have these characteristics. It is called "cyx". C represents 'cityward' , which the car is designed for future cities. Y stands for 'yare', which shows the Peugeot's reputation for precise and predicatable handling. X is 'x-factor', meaning your excited feeling when you drive this Peugeot concept.

我给这辆车起名为cyx,三个字母各有寓意。C是"cityward"的意思,因为车子所有的一切是为适合明日都市开发的;y代表yare,表示车子的弯道性很好,加速快捷,这也是标致一贯的特点;x是x-factor,因为驾驶它能给你带来快感。

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态,尽管他不断地用细节去强调时间概念,像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气,但他讲述的这些故事并没有特别的时间背景,它们可能每天都会发生在这个城市的角落里,它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》,你就会发现两个故事的某些细节其实是互相交错的,王家卫用这种捉迷藏式的游戏来造成一种共时性的效果,既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序,从而形成了一种存在主义式的精神意蕴,而王家卫在空间上的运用更是与其时间相得益彰,如果你看了王家卫的作品而感动的话,那绝不是由于整体世界的印象所引发的,而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

This research tried to construct the develop track of urban writing of Taiwan new literature from 20's to 30's. On the basis, I resurveyed the previous research on history of Taiwan literature during Japanese period, which is revolved around the traditional countryside and the pauperism. Furthermore, this thesis would reflect the contemporary discourse on colonial modernity under the grand narrative of national perspective, de-colonization, and resistance spirit.

中文摘要本研究试图建构出二、三○年代台湾新文学都市书写的发展脉络;并藉著都市书写的发展脉络重新审视既有以农村、贫民为中心的日治时期台湾文学论述,进而反思当代研究者在国族命运、反殖民、抵抗精神等「大叙述」中过分偏重「殖民性」、现代性反而遭到虚位化、扁平化的「殖民地现代性论述」。

On the basis, I resurveyed the previous research on history of Taiwan literature during Japanese period, which is revolved around the traditional countryside and the pauperism. Furthermore, this thesis would reflect the contemporary discourse on colonial modernity under the grand narrative of national perspective, de-colonization, and resistance spirit.

本研究试图建构出二、三○年代台湾新文学都市书写的发展脉络;并藉著都市书写的发展脉络重新审视既有以农村、贫民为中心的日治时期台湾文学论述,进而反思当代研究者在国族命运、反殖民、抵抗精神等「大叙述」中过分偏重「殖民性」、现代性反而遭到虚位化、扁平化的「殖民地现代性论述」。

Zhang Ailing approbates and accepts the female sexual role not in terms of apotheosizing female, but in the roots of female herself. Zhang Ailing has noticed money had an enslavement effect on female destiny in citied society, and he also noticed that the female sensual desire had the same effect on her own fate. In her work, sex to life is what food to us, which are all the same important. The sex exists with love naturally in female nature.

张爱玲认同、接受女性的性别角色,但并不以神化女性为条件,张爱玲的女性意识是女人而女性的;张爱玲注意到了都市社会中金钱对女性命运的奴役,同时也注意到女性情欲对自己命运的役使,在张爱玲的作品里,性之于生命,就象饮食一样重要,性与爱天然地存在于女性的天性里。

Mainly through describing contrastably two kinds of life forms between the metropolis and the village, he satirizes and criticizes the ugly form of metropolis life, and eulogizes and praises the natural form of life, in order to arouse the "divine nature" of national life to cause its life light to shine everybody.

他主要通过对都市和乡村两种生命形态的对比描写,以讽刺和批判都市生命丑态,歌颂和赞美自然生命形态,并借以唤起民族生命的&神性&,使其&生命之光,煜煜照人&。

This research tried to construct the develop track of urban writing of Taiwan new literature from 20's to 30's. On the basis, I resurveyed the previous research on history of Taiwan literature during Japanese period, which is revolved around the traditional countryside and the pauperism. Furthermore, this thesis would reflect the contemporary discourse on colonial modernity under the grand narrative of national perspective, de-colonization, and resistance spirit.

本研究试图建构出二、三○年代台湾新文学都市书写的发展脉络;并藉著都市书写的发展脉络重新审视既有以农村、贫民为中心的日治时期台湾文学论述,进而反思当代研究者在国族命运、反殖民、抵抗精神等「大叙述」中过分偏重「殖民性」、现代性反而遭到虚位化、扁平化的「殖民地现代性论述」。

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Do you know, i need you to come back

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Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

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Chapter Three: Type classification of DE structure in Sino-Tibetan languages.

第三章汉藏语&的&字结构的类型划分。