邪

But circumstances inside the Wang Jia Wei film displays one kind sometimes all in linearity time going over and future hanging to purchase state , that often is able to point out solar terms in event beginning in image "hooligan formal biography " in famous show opening,"Chongqing tells the sum the "east evil west is poisonous to the date relapse in forest "" despite of he uses detail to go to emphasize the time concept unceasingly,these stories that he gives an account of and not special time background, they may may happen within this city corner every day, They whip the specimen being away from out in life only from the city But that you only are capable to do some detail discovering two stories is each other alternative in fact , Wang Jia Wei uses this to play hide-and-seek coming to bring about one kind of synchronic sex effect dyadic game if you had looked at "Chongqing forest " carefully,chance and nothing order having shown the present age city life now that the linearity time concept having dispeled tradition narrating is protruding, the intention having formed one kind of dyadic spirit of existentialism thereby accumulates, Wang Jia Wei applying on space is more than time benefits by associating together, If you have looked at Wang Jia Wei's work but have moved, that is by no means since are what the overall world impression initiates, but being resonance because of detail, is fragmentary as well as atmosphere called up by the subjective soliloquy that the garrulity spends can let you produce mental conception makes

王家卫电影里的场景往往都在线性时间的过去和未来中呈现出一种悬置状态，尽管他不断地用细节去强调时间概念，像《阿飞正传》里那个著名的开场、《重庆森林》里对日期的反复诉说和《东邪西毒》里经常会在事件开头指出节气，但他讲述的这些故事并没有特别的时间背景，它们可能每天都会发生在这个城市的角落里，它们只是从城市生活中抽离出来的标本。如果你仔细看过《重庆森林》，你就会发现两个故事的某些细节其实是互相交错的，王家卫用这种捉迷藏式的游戏来造成一种共时性的效果，既消解了传统叙事的线性时间观念又凸现了当代都市生活的偶然和无序，从而形成了一种存在主义式的精神意蕴，而王家卫在空间上的运用更是与其时间相得益彰，如果你看了王家卫的作品而感动的话，那绝不是由于整体世界的印象所引发的，而是因为细节、片断以及絮语化的主观独白所唤起的气氛能让你产生心领神会的共鸣使然

Not a shade was there of anything save geniality and kindness.

他的眼神里只显出愉快与和气，看不出一丝邪意。

This paragraph is mainly about playing mahogany logging function the way the evil ghost town

本段主要讲述的是发挥桃木伐邪镇鬼功能的方式

Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth.

不可跪拜那些像，也不可事奉它，因为我耶和华你的神是忌邪的神。

"You shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them or serve them; for I The Lord your God am a jealous God, visiting the iniquity of the fathers upon the children to the third and the fourth generation of those who hate Me, but showing steadfast love to thousands of those who love Me and keep My Commandments."

第二条 你不可以为自己雕刻偶像，也不可做什么如同头顶的天、脚下的地、或者是地底下的、水中的万物。你不可以跪拜那些像，也不可侍奉它，因为我，你的上帝是忌邪的上帝。恨我的，我要惩罚他们的罪，自父及子，直到三四代；爱我、守我戒命的，我要向他们发慈爱，直到千代。

Of this eager boy grifter.

纯真无邪的表情，让你相信故事中的这个娃娃骗子。

Smile for us we know to be fully genuine and without guile. And that baby-soul

有他们纯真无邪的笑容，更引起了我们内心深处的共鸣。

But thou hast played the harlot with many lover yet return again to me, saith the LORD.

但你和许多亲爱的行邪淫，还可以归向我。这是耶和华说的。

But thou hast played the harlot with many lovers; yet return again to me, saith the LORD.

但你和许多亲爱的行邪淫，还可以归向我。这是耶和华说的。

For indeed, those who are far from You shall perish; You have destroyed all those who desert You for harlotry.

远离你的，必要死亡；凡离弃你行邪淫的，你都灭绝了。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。