那时候

But we never had put out our strength as we did then--then, when for the last time we paddled together!

但那时候我们从未像现在这样用尽全力——这是我们最后一次一起划桨了。

Partyism was nonexistent in those days .

党派制在那时候并不存在。

God荼and Yu barrier is a specialized monitor Phantom of God, which found Phantom doings will be sent together with grass Shengkun feeding tiger, therefore, at that time, people during the holidays, we used two peachwood荼inscribed God, Yu Lei, or the like to write on the names of the couple, hanging in the door of the two sides, called Zhaofu, flooding disaster pressure to show evil.

神荼和郁垒是专门监察鬼怪的行为的神，发现哪个鬼怪为非作歹，便用草绳捆起来送去喂老虎，于是，那时候，人们每逢过年，便用两块桃木刻上神荼、郁垒的像或写上他俩的名字，挂在门的两边，叫做桃符，以示驱灾压邪。

So is that when he peed in his pants?

他是那时候尿裤子的？

You could be sleeping, on a business trip, or sitting on the sunny sands of a Caribbean beach sipping pina coladas next to that special someone.

可能那时候你正在睡觉或者在商业谈判的途中，甚至可能还在懒洋洋的躺在加勒比海的阳关沙滩上和某人享受着冰镇果汁朗姆酒的美味。

The basic framework is still thesame, however, pixilated icons using a 16-bit color palette.

与现在的图标稍有不同，那时候还是只有16色的。

When 'twas a little prating thing:--O, there is a nobleman in town, one Paris, that would fain lay knife aboard; but she, good soul, had as life see a toad, a very toad, as see him.

主啊！——那时候她还是个咿咿呀呀怪会说话的小东西——啊！本地有一位叫做帕里斯的贵人，他巴不得把我家小姐抢到手里；可是她，好人儿，瞧他比瞧一只蛤蟆还讨厌。

And when I was going through a punky phase, it was The Clash.

至于罗琳现在最喜欢哪种音乐，她说&世界上我最喜欢的乐队是史密斯乐队，我曾经对朋克着迷过，那时候喜欢撞击乐队。&

And when I was going through a punky phase, it was The Clash .

至于罗琳现在最喜欢哪种音乐，她说&世界上我最喜欢的乐队是史密斯乐队，我曾经对朋克着迷过，那时候喜欢冲撞乐队。&

They date back to Roman times, when limestone was quarried to begin building the Paris we know.

这得回溯到罗马时代，那时候石灰石被开采出来开始建造我们现在所知道的巴黎。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。