那时候

Karandra continued, Just as he was leaving the keep, he came across you atop Mirador.

卡兰达拉继续说，就在他离开城堡那时候，他就撞见在米拉达背上的你。

Fal.But, as ill luck would have it, three misbegotten knaves,in Kendal green,came at my back,and let drive at me;—for it was so dark, Hal, that thou couldst not see thy hand.

福斯塔夫可是偏偏魔鬼跟我捣蛋，三个穿草绿色衣服的杂种从我的背后跑了过来，向我举刀猛刺；那时候天是这样的黑，哈尔，简直瞧不见你自己的手。

He was the man of the hour and he failed miserably.

他是那时候最重要的人，他也输得很惨。

There used to be a swarm of these small apparitions in holiday time, and we called them children of the Lord of Misrule .

那时候，每逢节日，常有成群的这种小精灵，我们都把他们叫作司戏者的孩子。

There used to be a swarm of these small apparitions, in holiday time; and we called them children of the Lord of Misrule.

那时候，每逢节日，常有成？的这种小精灵，我们都把他们叫作司戏者ゞ的孩子。

Thus, I was still being appointed as teacher aid and vice monitress of our class. During junior high school, I found profound interest in History, Geography, Physics and Chemistry, and I began to think about my career in the future.

经历这些，并不影响我的课业，所以也学会公事能不被私人情绪影响的自制力，所以那时候仍旧同时担任很多科的小老师以及副班长的职务。

I was then a strong supporter of America's Monroe Doctrine and the Open Door Policy.

那时候，我是美国门罗主义和门户开放的坚决拥护者。

Bacon has been a major ruthless spreader of the Twentieth Century, giving visible form to monsters, to the anxieties, the monstrousness and disturbances not only of an entire era, but also of all humanity and amplifying the power to defile the mind, the infectivity through painting.

那时候人们普遍认为培根并不经常作素描画，即使偶有创作他也会随即将他们销毁。这样的观点其实并不完全正确。因为这些素描作品看起来仅是培根艺术世界的一小部分，如同培根艺术批评家David Sylvester为它们所下的定义：冰山一角。

In Mott's time, women couldn't vote, own property, or go to college.

在那时候，女性不能投票，没有自己的财产，也不能上大学。

I was mumbling to myself, wow...

那时候的我在心里赞叹不已：「哇。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。