那时候

Those hours that with gentle work did frame The lovely gaze where every eye doth dwell Will play the tyrants to the very same, And that unfair which fairly doth excel: For never-resting time leads summer on To hideous winter and confounds him there, Sap checked with frost and lusty leaves quite gone, Beauty o'er-snowed and bareness every where: Then were not summer's distillation left A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it nor no remembrance what it was. But flowers distilled though they with winter meet, Leese but their show, their substance still lives sweet.

那些时辰曾经用轻盈的细工织就这众目共注的可爱明眸，终有天对它摆出魔王的面孔，把绝代佳丽剁成龙锺的老丑：因为不舍昼夜的时光把盛夏带到狰狞的冬天去把它结果；生机被严霜窒息，绿叶又全下，白雪淹没了美，满目是赤裸裸：那时候如果夏天尚未经提炼，让它凝成香露锁在玻璃瓶里，美和美的流泽将一起被截断，美，和美的记忆都无人再提起：但提炼过的花，纵和冬天抗衡，只失掉颜色，却永远吐着清芬。

At that time, I told him, Leslie, in this house, you cannot become a director.

那时候，我告诉他，Leslie，在这个房子里面，你成不了导演。

I was dressed like a Turk of the Levant Levantin, said he.

那时候，我打扮得象个东方日出处的土耳其人。

We also reserve the right to reject personal attacks, false/unsubstantiated allegations, spamming of any kind, and comments that include vulgar language or libelous statements.

在学校的个案研究的话，你当然马上辞职，可是那时候我有两个孩子，两个汽车，一所房子，一位怀孕的太太。。。

In my day, if I were to put on a pair of trousers like they do now, lightning would strike me.

我那时候，要是我也穿上像他们穿的一样的裤子，就会遭雷劈的。

May be doomed to the fate and the fate of our line of intersection again.

好像，那时候的男女爱情的背景音乐就是这首歌一样。

At that time, these words have been lingering in my ears.

那时候，这几个字一直萦绕在我的耳畔。

Because he – his back was to me He was in the living-room.

他那时候背对着我，应该不知道我有看到他。

And they will be buried by a heap of loess?

到那时候，所谓的我，所谓的道，不正像秋天里的落叶，冬季的枯木吗？

But since then she has become more magnetic, with contracts for Burberry, Longchamp, Versace, Virgin Mobile and Nikon cameras.

但是自从那时候开始，她已经变得更加具有吸引力，和burberry ，朗弗塞奇，维尔京移动和尼康相机签订了合同。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。