那些

The garishly colored cartoons resemble nightmarish hallucinations, as opposed to a fantasy realm that any youngster would care to visit.

最后一位仙子消失之前，她对那些孩子的父母许诺说，她会将那些珍贵的宝物留给那些相信魔法的孩子们

And thou shalt not have toleration nor request granted to thee, because of the unrighteousness which thou hast taught, and because of all the works of godlessness and unrighteousness and sin which thou hast shown to men.

你将得不到宽恕也不能获准任何要求，因你所教导的那些不义的事情，因你所做的那些不敬虔的邪恶的事，还有你向世人显现的那些罪。

Hence we have that which has been given through many of the sources of information, or the channels for individuals - and in those, these, the entity - as a voice upon waters, or as the wind that moved among the reeds and harkened, or again as when the morning stars sang together and the sons of God beheld the coming of man into his own, through the various realms as were brought by the magnifying of, or the deteriorating of, the use of those forces and powers as manifested themselves in a MATERIAL area, or those that partook of carnal to the gratification of that that brought about its continual HARDENING and less ability to harken back through that from WHICH it came, and partaking more and more OF that upon which it became an eater of; or, as is seen even in the material forces in the present: We find those that partake of certain elements, unless these become very well balanced WITH all SOURCES - Of what?

因此我们有了完全赋予许多信息来源或为个体设置了通道的那个岁月，且在那些里面，这些里面的实体-就像在水面之上激荡的声音，或就像风在芦苇之中刮过就能够被听见一样，或再一次当晨星在一起唱歌和看见上帝的儿子进入到人身体内的时候，通过许多地方的运用就可以放大精神力量，或进一步败坏了精神力量，使用精神力量和精神能力就可以在物质领域证明它们存在，或者那些沉湎于肉体欲望的人使得它不断变得冷酷和很少有能力听到来自本源的声音，就越来越容易成为一个过度的食客；或甚至就像现在看见的物质力量一样：我们发现带有某些元素的那些人，除非这些变得能很好与所有的本源平衡什么的？

We, the Hernystiri, remember the days of the giants, and the days of the northern curse, the White Foxes, so now we speak plainly: evil is abroad in this ill-omened winter and spring.

我们，Hernystiri民族的人，记得那些巨人们出现的日子，那些北方受到诅咒的日子，还有那些白狐，所以现在我们可以坦白地说：邪恶在这个有恶兆的冬季和春季传播开去。

If we contented ourselves with using as a punishment whatever feeling of disgrace arose independently in the culprit's mind, the result would be that we should only affect those who were already conscious of their fault, and so required punishment least,while those who were impenitent, and so required it most,would escape altogether.

如果我们自己满足于将无论在犯人心理所独立地引起的何种耻辱感都用作一种惩罚，那么，结果便会是，我们只会影响已经意识到了他们的过错的那些人，并因此而在那些人虽顽固不化也要求惩罚是最少的，而当那些人会完全逃脱时，则要求惩罚是最多的。

Have touched your life in one way or another, to those who make you smile when you

请把这些语言送给那些你所关心的人，那些在生活中这样或那样同自己打交道的人，那些需要是

It would not be hard to redesign America's sex laws. Instead of lumping all sex offenders together on the same list for life, states should assess each person individually and include only real threats. Instead of posting everything on the internet, names could be held by the police, who would share them only with those, such as a school, who need to know. Laws that bar sex offenders from living in so many places should be repealed, because there is no evidence that they protect anyone: a predator can always travel. The money that a repeal saves could help pay for monitoring compulsive molesters more intrusively—through ankle bracelets and the like.

要想重新构建美国的性犯罪法律很难，但还是有事可做：应该对每一个犯罪者进行逐个评估，包括那些真正危险的人员，而不是把他们的名字堆在一张名单上，给他们终身烙下一个性犯罪者的名号；他们的名字应由警方持有，并与那些真正有需要的机构共享，比如说学校，而不是把他们所有的相关信息都在网上发布；对性犯罪者居住地点的禁令应当废除，因为没有任何证据表明这样的法令能保护到谁：因为犯罪者可以到处游荡；废除法令节省下来的钱可以用来支付购买脚镣之类的东西，更直接的来管理那些需要强制监管的犯罪人员。

Koolhass' critical stance in this work is "simply to abandon what doesn't work – what has outlived its use – to break up the blacktop of idealism with the jackhammer of realism and to accept whatever grows in its place"– in this case the dominance and propping up of the exhausted historical urban center.

在这篇文章里，库哈斯的评论姿态是"简单地放弃那些不再适用的——那些已经过时却依然存在的——去用现实主义的铁钻打破理想主义的路面从而去接受这片地方上的任何形态的发展"。这片土地所指的是那些以疲惫不堪的历史意义所支撑和主宰的城市中心。

In the end, one wonders whether the jadedness problem shows that reviewers can't see story content anymore at all, leaving them to review only the manner and style of filmmaking, or shows instead that really do prefer films that degrade the human spirit for two hours in dark.

到最后，我们只能纳闷的问是那些影评人真的没看影片内，只评价那些拍摄手法，影片风格，还是说他们确实更加偏好那些在黑暗的两小时里引人堕落的影片？

Looky here, see, my eyes are dry No tears when I said goodbye Know better than to ask me why (Don't even try) Cause I'm gone, so gone Pack your bags, boy, it's time to carry on I'm taking back all that's mine All of the years that I gave All of these tears that I waste I think it's time that I get on with my life Although I might be alone, I'm better on my own.

我以为我告诉过你这是我独立的一天我找到一个全新的生活即使我的心在渴望可我会一小步一小步变得更坚强回头看看我留下的知道这个决定是对的你说你会在我身边现在看来你完全都不在乎我真的不想再承受了这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼看这里吧我的眼晴是干的说再见的时候我并没有哭想还知道吧那问我吧(Don't even try)根本不要哭因为我已经走了已经走了收起你的包男孩是时候向前走我所讲的都是我的这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼这些年来我所付出的那些我浪费的眼泪我想是时候往前走即使我会孤单一人我自已会过得好没有你在这里我过的比好还要好没有男人就没有哭啼 OO

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。