那个东西

No such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is more than 30 now; I remember, a poet said to me in his good willing that writing love poems are quite beyond age of 50, however, poetry is not my expertise, I write for I have to. Nothing wrong with the age of 50 either; now, its pretty far from my age of 50; but I go on writing, no body says one can not write when you re 50 years of age? People still can do that, of cause, something ought to be changed, you feel the time-changing, or some agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

No, such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is 30 years age now; remember a poet said to me in his good willing that love poems are quite beyond age of 50, however, poems composing is not my expertise, I write for I have to, nothing wrong with age of 50 either; now, its pretty far from my age of 50; but I still write, no body says one could not write when you re 50 years of age? We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

Don't let the person that loves you cry heartbrokenly. There ie only one chance that you can hurt them so deep. After that,you can go from ''the irreplaceable one'' to ''the interchangeable one.'' Even if they still love you,there is something,something real,which has changed.

不要让那个喜欢你的人撕心裂肺地为你哭那么一次因为你能把他伤害到那个样子的机会只有一次那一次以后你就从不可或缺的人变成可有可无的人了即使他还爱你可是总有一些真的东西改变了

Touch need your hands on me so we can touch i need your lips on me so we can touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah ah ah ah touch ah ah ah i can't wait no more got this feelin' in my mind baby i'm gonna call you up and yes i know it's late at night but i can't hold back the urge wanna hear you in my ear wanna feel our bodys merge boy i need you lyin' here so we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah boy i hope you're ready this gon' be a long night we're gon' do it how you want it 'cause i know just what you like got my body feelin' right my emotions runnin' high and i'm feelin' kinda lovely sure there's something we should try we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah look ma i'm glad you called me i was just about to turn around anyway i've been thinkin' bout that move that you made up you mean the one i call the stand up huckle buck yeah ma i love it when you do you i know if you hurry up i ma give you part 2 i'm on my way girl can't you hear my car rushin' i'm tryin' to get there fast so we can sart touchin' touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch put your hands on me so we can touch put your lips on me wanna feel your touch boy lick my body weak come and gimme what i need fulfill my fantasies so we can touch ah ah ah touch ah ah ah touch ah ah ah touch ah ah ah touch

触摸需求你的人手右手击球员的左后方场地自我如此我们罐触摸i需求你的嘴唇右手击球员的左后方场地自我如此我们罐触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊啊啊啊触摸啊啊啊i不能等候不再得到这个feelin在朝派我的介意当作婴儿般对待我是去向打电话你向上的移动和同意i知道它's迟在晚上但是i不能支持住后退成为驱动力想要向听见你在朝派我的耳朵想要向感觉我们躯体合并男孩i需求你lyin'这里如此我们罐触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊触摸啊啊啊触摸啊啊啊男孩i希望你公亩敏捷的这个gon'是a长时间晚上我们公亩gon'社交聚会它怎样你想要它'原因i知道仅仅什么你爱好得到我的躯体feelin权利我的情感runnin高度和我是 feelin可爱的人的一种可靠的那里's某样东西我们是将去请尝试我们罐触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体弱来和乞讨的什么 i需求履行我的幻想曲如此我们罐触摸啊啊啊触摸啊啊啊触摸啊啊啊触摸啊啊啊看妈我是很高兴你打电话自我i was差不多向转变不管怎样我富人是讨论会'较量那个移动那个你制做向上的移动你用意一 i打电话竖立向上的移动髋部反对是的妈i爱它什么时候你社交聚会你i知道条件你匆忙向上的移动i妈让步你分开2我是右手击球员的左后方场地我的方式女孩不能你听见我的小汽车rushin'我是tryin'向到达那里斋戒如此我们罐sart touchin'触摸放你的人手右手击球员的左后方场地自我如此我们罐触摸放你的嘴唇右手击球员的左后方场地自我想要向感觉你的触摸男孩舔我的躯体软弱情欲高潮和乞讨的什么样的i需求履行我的我们能触动表达的幻想曲如此你的我们能稍微谈到一点自我如此的人手放你的我的幻想曲啊啊啊稍微谈到一点自我贫穷，感受到你的触摸男孩舔我的i需求履行什么软弱情欲高潮和乞讨的躯体，所以我们罐的嘴唇 touch ah ah ah touch ah ah ah touch ah ah ah touch

Why, that I'm made a laughing-stock to all Moscow; that every one's saying that when you were drunk and didn't know what you were doing, you challenged a man of whom you were jealous without grounds," Ellen raised her voice and grew more and more passionate;"who's a better man than you in every respect.…""

这会使我成为全莫斯科人取笑的对象，到头来每个人都会说您烂醉如泥，忘乎所以，居然把那个您毫无根据地嫉妒的人喊出来决斗，"海伦把嗓门越抬越高，越来越兴奋，"其实那个人在各个方面都比您优越……"①法语：您是个蠢东西。"

Cosette was, moreover, passing through that dangerous period, the fatal phase of feminine revery abandoned to itself, in which the isolated heart of a young girl resembles the tendrils of the vine which cling, as chance directs, to the capital of a marble column or to the post of a wine-shop: A rapid and decisive moment, critical for every orphan, be she rich or poor, for wealth does not prevent a bad choice; misalliances are made in very high circles, real misalliance is that of souls; and as many an unknown young man, without name, without birth, without fortune, is a marble column which bears up a temple of grand sentiments and grand ideas, so such and such a man of the world satisfied and opulent, who has polished boots and varnished words, if looked at not outside, but inside, a thing which is reserved for his wife, is nothing more than a block obscurely haunted by violent, unclean, and vinous passions; the post of a drinking-shop.

珂赛特并且正在经历那个危险时期，也就是女性没人指点、全凭自己面壁虚构的那个一失足成千古恨的阶段，在这种时候，孤独的年轻姑娘便好象葡萄藤上的卷须，不管遇到的是云石柱子上的柱头还是酒楼里的木头柱子，都会一样随缘攀附。这对于每一个无父无母的孤女，无论贫富，都是一个危机，一种稍纵即逝、并且起决定作用的时机，因为家财并不能防止错误的择配，错误的结合往往发生在极上层；真正的错误结合是灵魂上的错误结合，并且，多少无声无臭的年轻男子，没有声名，没有身世，没有财富，却是个云石柱子的柱头，能撑持一座伟大感情和伟大思想的庙宇。同样，一个上层社会的男人，万事如意，万贯家财，穿着擦得光亮的长靴，说着象上过漆的动人的语言，如果不从他的外表去看他，而是从他的内心，就是说，从他留给一个妇女的那部分东西去看他，便只是一个至愚极蠢、心里暗藏着多种卑污狂妄的强烈欲念的蠢物，一根酒楼里的木头柱子。

Next to that ambiguous vague thing by the nondescript place.

是放在那个不确定的地方边上，那个不知道是什么东西的旁边。

And the slow raccoon, nosing around omnivorously, now that the vixen's aggressive presence...

还有那个慢慢的涴熊，周围什么东西都吃。现在那个雌狐的带有侵略性的出现。。。。。。。。。。。

She sent out her yawl, and we went aboard, and she was from Cincinnati; and when they found we only wanted to go four or five mile they was booming mad, and gave us a cussing, and said they wouldn't land us.

一眨眼间，那个老东西、下流胚就连身子也撑不住了，一下子扑到那个人身上，把脸颊伏在他肩膀上，对着他的后背哭了起来，说道：天啊，天啊，我们那可怜的哥哥啊——他走啦，我们竟然没有能赶上见一面。

Baldie followed your XXXX to the Menethil Harbor, saw him met an unknown man,and received something from him.then the unknown man went to Dark Shore by ship.

Ok 90。女xd特写：&那个秃驴跟踪著您的到米奈柛酆蟀l现他与一个神秘的人会面，并且交给他了一些东西，随后那个神秘人就上了去往黑海岸的船&

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。