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那个东西

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This time, whatever's in that tin can will belong to me...

这一次,无论那个罐子里的东西是什么,它都将属于我

I have learned a ton at that job,it's the time to to go.

我在那个工作上已经学会了很多东西,是时候迈出前进的步伐了。

For that old tricker, he's just tying to get you to buy his goods.

不要上那个老骗子的当,他想要你买他的东西。

Don't tumble for that old tricker, he's just tying to get you to buy his goods.

不要上那个老骗子的当,他想要你买他的东西。

I will give you a trinket that will summon the beast. Slay it, and bring the flesh to me.

我将给你一个召唤的小东西来召唤那个怪物,干掉他,并把它的肉块带来给我

He seized a tureen of hot apple sauce (the first thing that came under his gripe) and dashed it full against the speakers face and neck; who instantly commenced a lament that brought Isabella and Catherine hurrying to the place.

他抓起一盆热苹果酱,这是他顺手抓到的头一件东西,把它整个向说话的人的脸上和脖子上泼去。那个人立刻哭喊起来,伊莎贝拉和凯瑟琳都连忙跑到这边儿来。

Now. I know enough to be certain that I lost most of my twenties

在学到的东西教给那个时候的我,事情会变成什么样子。

In the beginning of the 90s, I wanted to make some convincing things. The feeling was very strong back then. Therefore, after the 90s, I seemed rather unprogressive. My work seemed to be missing a sense of the present time. It was neither academic nor with strong "contemporary art" features. It was simply a feeling.

在九十年代初那个时候,我很想做些可信的东西,当时这个感觉很强烈,所以,九十年代以后我看起来是非常不激进的,作品看上去缺乏时代感,既不是学院派,也不具有很强的"当代艺术"的特征,仅仅是一种感受。

In view of this point, Lu Ling's novels are of value, because strong intellectual complex is embedded in his novels describing either workers or peasants, in which the character's spiritual dynamics receives utmost concernViewing from the perspective of the intellectual quality-freedom, enlightenment and reflection, this dissertation seizes up the traits of intellectual character of Lu Ling's novels in 1940's, in an attempt to reproduce the sheen of his novels, and also to take a glimpse at the psychological journeys of the youth generation at that ageThose characters in Lu Ling's novels behave unbridledly all the way through their life journeyo They rebel against all the absurd things, declare war on tradition, family and newly rising authority, also anatomize themselves They resort nowhere Their life is closely linked to tramp It is right during the course of tramp and rebellion that they realize themselves, look for freedom and luminosity, and achieve real contact with people; they have enjoyed the unrestraint to their heart's content as well as experience torture from various forces in heartLu Ling's novels are affluent in connotation This dissertation only studies from the perspective of intellectual, the topics among which like: freedom, tradition, individual and collective are still worthwhile studying up to now.

从这一点出发,路翎的小说很有价值。他的小说不管是描写工人还是农民,都带有浓重的知识分子情结。他的关于知识分子的小说,更是极力关注人物的精神动态。本文从现代知识分子品质的角度——自由、启蒙与反思,打量路翎四十年代小说中的知识分子人物的特质,企图在这种论说中使路翎小说的光彩重现,也从中窥视那一代青年在那个时代的心路历程。他小说中的那些人物,在人生的道路上一路狂飙过去。他们反叛一切不合理的东西,对传统、家庭、新生的权威开战,也对自己身上旧的、暧昧的因子毫不留情。他们在哪里也停留不下,他们的人生和流浪紧密地联系在一起。在这个不断的流浪和叛离中,他们认识自己,追寻自由、光明,力求与人民的真正接触。也正是在这个背叛—寻找的过程中,他们享受了狂飙的酣畅淋漓,也体会到了内心各种力量撕裂的痛苦。路翎小说的内涵很丰富,本文只是抽取了知识分子这个角度进行研究。当中的一些命题:自由、传统、个人与集体在今天还是很有研究价值的。

What if some demon were to say to you ,that shis life ,as you now live it,have lived it in the past, you would have to live once more but-innumerable times more,there will be nothing new in it,every pain,every joy,every unutterably,small or great thing in your life would just return to you The same succession ,the same sequence,again and again,like an hourglass of time ,Imagine infinity,you choose for all time,Then all unlived life would remain -inside you, Unlived,Throughout eternity.

晕死了 ,小雅!~你在那个群啊!~!~这样一座在深夜里会闭上眼睛的城市。行走在里面,人与人之间,人与所有其他事物之间始终有距离感。仿佛无法与这时尚的事物真正的靠近。但这种无法靠近,却让自己觉得清净和安全。不知道为什么我喜欢那种疏远的安全感。这段偶同意,距离很多时候反倒有安全感!品种单一,我也没办法!当我写一篇东西不能最大限度的引起人的共鸣的时候,我只能说我很失败!

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