遮蔽的

When we study the 20~ century Chinese clan/family novel systematically, we will find that the novel text of the clan/family novel in the times of May Fourth Movement: the conflict relationship of father and son is a metaphor for our nation situation in the traditional feudal symbol order; adopts unity of oppositions in the narrative mode, rebellious son perspective and look-down perspective; in the clan/family novel text in the "seventeen years", the complot of father-son relationship covers great narrative of revolution history and comply to the narrative syntax of revolution-centered, versatile perspective and "look-up" perspective; for the clan/family novel writing, the explanation of the relationship between father and son imitated and overturn the historical narrative and set up imitation and ironic narrative mode, the perspective of "I" and observation.

对20世纪中国家族家庭小说进行系统全面的梳理，我们发现："五四"时期的家族家庭小说文本，父子关系的对立隐喻着传统封建象征秩序下的民族遭际，采用二元对立的叙事模式及家族逆子视角与"俯视"视点；"十七年"时期的家族家庭小说文本，父子关系的共谋谱写着宏大叙事遮蔽下的革命历史，恪守以阶级斗争为中心的叙事语法及全知全能视角与"仰视"视点：新时期以降的家族家庭小说创作，父子关系的解构书写着戏仿与颠覆的历史叙事，创立戏拟与反讽的叙事模式及第一人称"我"的视角与"平视"视点。

Discipline education, which oppresses and neglects the man, makes education lose its correct direction, makes life instinct crock up and spiritual culture lack. It closes down the entrance door of education to the spiritual temple and makes the effective education become nihility and fancifulness.

规训化教育对人的压抑和遮蔽使教育迷失了正确的方向，它带来的是生命本能的衰竭，精神文化的贫乏，它封闭了学生通往精神圣殿的大门，使真正的教育沦为虚妄和幻想。

It's necessary for the DISCERNMENT OF THE SPIRIT to shed some light upon Man's understanding in order to enlighten his Thoughts, his Words and his Deeds so that these, his three manifestations, are placed in the service of the True Meaning of Existence, which is, EVOLUTION.

这样灵性的洞察是必须的，就是从人的理解上遮蔽掉一些光，以便启蒙他的思想、他的言语和他的行为，因为这样，他的三个显化，被放置在努力服务于"存在"的真实意义上，这就是：演进。

All sentient beings without such lasting qualities are trapped in the prison of samsara—from the peak of existence down to the lowest hell of Avichi—where the three doors of their body, speech and mind are shrouded in the thick darkness of ignorance, as they cling to concepts of "I" and "mine".

无此恒时功德的一切有情众生，陷落在轮回的牢狱当中──从存在的顶端至最底的阿鼻无间地狱──在这之间，众生的身口意三门都被厚重的无明黑暗所遮蔽，因为他们执著於「我」和「我的」这些概念。

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如果你使用对再更多的安全模态或使 compouents， restant 挑选出来的先进启始选项失去能力，当做贮藏或遮蔽使基本输出入系统记忆选项 sach 失去能力，然后挑选出来的安全模态技术上的数据：***停止：0 x40000080(0 x862D83E0 ， 0 x84E8A00.0x805511FC，0 x00000001) phsical 记忆的初期湿气 phsical meomory 潮湿的完全连络你的系统 admimstautor 或技术上的支持 goup 为 futher 协助

The present paper conformity has utilized the English beautiful woman principle literary criticism and so on the important theory resources, By the main body took writing the basic point, cuts into the text from the sex angle of view, promulgates the Zhuang nationality family feminine life candidly to exist, Pierces the masculine words the camouflage which intends to the feminine main body life will or has no intention, the return to original state female the real appearance which misinterprets.

本论文整合运用了英美女性主义文学批评等重要的理论资源，以主体性作为写作的基点，从性别的视角切入文本，揭示壮族家族女性生命的本真存在，洞穿男性话语对女性主体生命意志的有意或无意的遮蔽，还原女性被曲解的真实面貌。

Mao Tongqiang has inherited such aesthetics. His difference lies in the fact that he has re-collected historical materials. Moreover, he has also changed their original shapes: historical figures and commoners are treated alike, their images obscured by an unconscious stream. When the spectators wish to observe them carefully, the artist says that the authentic images of these characters are not important.

毛同强继承了这样的美学，所不同的是，他重新收集了历史的素材，可是，他改变了这些素材的原初模样：历史人物与普通人被同样对待，他们的形象被无意识的流淌给遮蔽了，当观众想认真观察他们的时候，艺术家说：这些形象的真实摸样并不重要。

His subtle shading of voice gives complete personality and motivation to each of the eight protagonists, with exaggerated accent reserved for the Dutch Dr. van Helsing, and, to a lesser extent, Count Dracula himself.

他的细微的声音的遮蔽给8 位主角中的每个完全的人格和动力，由于被夸大的为荷兰博士Helsing号客货车保留的口音，和在较小程度上，亲自算Dracula。

Through the operation of nakamaishiki within the homosocial community and heterotopian mapping in fujoshi visual rhetoric, Enomoto's Kokoro adaptation not only strategically unveils the queerness in Soseki's literary canon, but also cogently challenges the ways in which Japanese mainstream culture represents or conceals homoeroticism.

偏的镜头动向，以及迷的酷儿视觉风格，造成一种介於电影映画与漫画之间的视觉再现。榎本版的《心》透过同性社交共同体「仲间意」的运作，以及腐视觉修辞中的同性欲之质空间型构，仅策性转译「正典」蕴含的「酷儿性」，让正典「出柜」，也对日本特定主文化中呈现及遮蔽同性情欲的方式提出质疑。

In this portrait miniature, Hilliard makes sumptuous costume a transparent medium to signify the religious allegiance of the 18-year-old Donne. At the same time, he also takes a devious route in this portrait to reveal the sitter's inner self. Besides, being a transparent vehicle, the costume is also treated as the translucent veil through whose concealment the young Donne's subtle attitude toward his faith is revealed.

本文就以此画像为例，分析希例雅德的画风如何在这个过渡时期里结合两种相左的空间观，不仅运用唐恩穿戴的服饰来外显他的内在世界，更重要的是，他也利用公众服饰遮蔽画中人内在世界的性格来彰显他幽微的宗教性格。

The labia have now been sutured together almost completely.The drains and the Foley catheter come out at the top.

此刻阴唇已经几乎完全的缝在一起了，排除多余淤血体液的管子和Foley导管从顶端冒出来。

To get the business done, I suggest we split the difference in price.

为了做成这笔生意，我建议我们在价格上大家各让一半。