遇见

And strange to relate I met him thrice yesterday.

奇怪的是，昨天我遇见过他三次。

And then…and then what you do to me like that just throw me back into the dark and

我过去是有过罪恶，但当我遇见你的那一刻，那个做尽坏事的人就已经死了，而我

I never knew love ,til there was you...

直到遇见你，我才明白什么是爱。。。

With characteristic French courtesy one of the French officers turned to Rostov, as he sat in stubborn silence, and said to him that he had probably come to Tilsit to see the Emperor.

鲍里斯好像没有去注意由于新来的人而造成的窘态，他仍旧带着平静的喜悦的神色，他的眼睛中还像他遇见罗斯托夫时那样蒙着什么东西，他力图使这次谈话变得热闹起来。

On the same evening Rostov, taking advantage of the darkness to pass through unrecognised, came to Tilsit in civilian dress, and went to the quarters of Zhilinsky and Boris.

不久以前罗斯托夫在途中遇见一名负伤的法国上校，罗斯托夫急躁起来，他向这名上校证明，在合法的国王和罪犯波拿巴之间不可能有媾和之事。

After that thou shalt come to the hill of God, where the garrison of the Philistines is: and when thou shalt be come there into the city, thou shalt meet a company of prophets coming down from the high place, with a psaltery and a timbrel, and a pipe, and a harp before them, and they shall be prophesying.

此后，你要往天主的基贝亚去，──在那里驻有培肋舍特人的官吏，──你一进城，就会遇见一群正从高丘下来的先知，在他们前面有弹弦的、有打鼓的、有吹笛的、有弹琴的，他们正在出神说妙语。

After that you shall come to the hill of God, where is the garrison of the Philistines: and it shall come to pass, when you are come thither to the city, that you shall meet a company of prophets coming down from the high place with a psaltery, and a timbrel, and a pipe, and a harp, before them; and they shall prophesy

你到了城的时候，必遇见一班先知从邱坛下来，前面有鼓瑟的、击鼓的、吹笛的、弹琴的，他们都受感说预言

Or the ancient lute,only the name itself is full of rhyme already. But in my opinion the lute is more suitable for those unruly minstrels or laddish young girls( while the harpplayers should be mature bewitching women). They have goldenorebony hair, tip-tilted nose, smiling eyes and ripe lips. They hold the lutes like cherishing their lovers. Its tone, living, full of verve but still soft and graceful, is so harmonious for improvising some dance music around the bonfire, like the one played in the dance party, in which Tess met Angel Clare; or singing some love stories in the celebration square, and everyone wept for the heartrending part.

或者是诗琴，仅仅这名字就已经足够诗情画意，不过个人认为诗琴适合放荡不羁的流浪诗人演奏，或者是有那么点小男孩气的年轻女子（竖琴的演奏者就最好是已经成熟的妩媚女人），得是金黄或者乌黑又微卷的头发，俏皮的小鼻子，笑盈盈的眼睛配上丰满的嘴唇，他们怀抱着诗琴，就好像拥抱着自己的恋人一般深情款款，那富有活力与生机，而同时又婉转柔美的声音，最适合在篝火旁弹奏即兴舞曲，让人想起苔丝遇见安吉尔的那次舞会，或者是于庆典广场中歌唱那美妙动人的爱情故事，伤心处只见众人潸然泪下。

I just want to care very much about what I do and be kind to everyone in the process.

我只是想非常关心我所做的事，并且对这个过程中遇见的每个人友善。

He changed money like this at each tobacconist'S they passed.

就像这样，遇见烟纸店就兑钱，兑了钱再跑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。