遇见

The revenger of blood himself shall slay the murderer: when he meet him, he shall slay him.

019 报血仇的必亲自杀那故杀人的，一遇见就杀他。

The revenger of blood himself shall slay the murderer: when he meeteth him, he shall slay him.

35：19 报血仇的必亲自杀那故杀人的，一遇见就杀他。

Num35:19 The revenger of blood himself shall slay the murderer: when he meeteth him, he shall slay him.

民35：19 报血仇的必亲自杀那故杀人的，一遇见就杀他。

Or in enmity smite him with his hand, that he die: he that smote him shall surely be put to death; for he is a murderer: the revenger of blood shall slay the murderer, when he meeteth him.

35：21 或是因仇恨用手打人、以致於死、那打人的、必被治死。他是故杀人的、报血仇的一遇见就杀他。

Or in enmity strike him with his hand, that he die: he that stroke him shall surely be put to death; for he is a murderer: the revenger of blood shall slay the murderer, when he meet him.

021 或是因仇恨用手打人，以致於死，那打人的必被治死。他是故杀人的；报血仇的一遇见就杀他。

And the revenger of blood find him without the borders of the city of his refuge, and the revenger of blood kill the slayer; he shall not be guilty of blood

35：27 报血仇的在逃城境外遇见他，将他杀了，报血仇的就没有流血之罪。

To understand what a reverberant sound actually is and what information our hearing system is able to extract from it, you need to think about how sound waves travel and what happens when they encounter various surfaces.

去了解一下混响声音实际上是任何形成的，以及我们的听觉系统能从中获得什么其他信息，有必须去思考声音是如何传播的，以及他们遇见不同材料的平面后，会发生什么问题。

Wrong time, Mr. Wrong, ridiculousness.

错的时间，遇见错的人，是一段荒唐。

Meet a right person in the rightness of time!

在对的时间里遇见对的人！

THE OWL MEETS THE RINGDOVE An owl met a ringdove.

白话翻译猫头鹰遇见斑鸠。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。