造物主的

The confrontment with mistakes and failures has been necessary; imagine a circumstance in which every thing one tries is correct, then query whether there is any correct concept a t all.

了解世界的奇妙是生物的挣扎，适应，而非造物主的智慧。

"We spend a third of our life sleeping, and it seems so maladaptive — 'the biggest mistake nature has made,' scientists often call it," said Dr.

这里文章说，生命的1/3用于睡眠，是造物主的一个错误，科学家们认为；但是，如果醒着什么都不做，那就是一个更大的错误了。

In chapters four and five of The Revelation we are shown the difference between the Throne of God the Creator, and the Throne of Grace. In chapter four John saw,"a Throne set in heaven, and One sitting upon the Throne; and He that sat was to look upon like a jasper stone and a sardius."

在启示录四、五两章里，我们可以看到造物主的宝座和施恩宝座之间的不同，在第四章约翰告诉我们他所看的是"有一个宝座被安置在天上，又有一位坐在宝座上，看那坐着的好象碧玉和红宝石。"

Evil by nature and in every detail the exact opposite of Ahura Mazda, he is the creator of all evil, both moral and physical.

邪恶的性质和在每一个细节都完全相反的胡马自达，他是造物主的一切邪恶，道德和身体。

Read it, some people started to believe that Darwin had disproved the existence of a Creator.

达尔文的&物种的起源&这本书今天依然在出版。很多人在阅读这本书之前，就相信达尔文已经证明了没有造物主的存在。

Therefore, I say to you, they who work magic which dominates the minds and hearts of others, they have transgressed the Makers law.

因此，我对你们说，那些使用魔法控制他人的精神和内心的人，他们违背了造物主的戒条。

Therefore, I say to you, they who work magic which dominates the minds and hearts of others, they have transgressed the Maker's law.

因此，我对你们说，那些使用魔法控制他人的精神和内心的人，他们违背了造物主的戒条。

As I faced my Maker at the last judgment, I knelt before the Lord along with all the other souls.

最后一刻面临造物主的审判时，我和其他的灵魂一起跪在神的面前。

Nothing more unpublished by the creator in creation, nil sub sole novum, says Solomon

在造物主的创作里，再也没有什么未发表的东西，所罗门说过：'在太阳下面没有新奇的事物。

"The love of God required the sacrifice of his own begotten Son" John iii.

&上帝的爱，需要牺牲自己的造物主的儿子&（约翰福音三16 ）。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。