造型

This paper makes a comprehensive analysis of the current conditions and developing tendency of industrial design and CAID. It also studies produce style design and its disadvantage from the view of process control of produce style design. Visualzation and control method of the process control of produce style design and CAID model of the process control is presented creatively.

本文全面分析了工业设计以及CAID 的现状，以及发展趋势，从产品造型设计的流程控制出发，研究了现有的产品造型设计流程以及不足之处，提出产品造型设计流程控制的思想以及控制方法，创造性的提出基于产品造型设计流程控制的CAID 模型。

Combining aesthetics and aerodynamics, three sorts of design parameters of headlamp modeling are summarized, based on analysis of the automotive forebody and headlamp modeling. A parametric design platform for headlamp is established, It is composed of the simplified model of flow field around automobile and the orthogonal experimental optimal algorithm.

结合美学、考虑汽车空气动力学，在分析汽车前部和车灯造型的基础上，总结出车灯造型的3类设计参数；建立了由"考虑美学与气动阻力的车灯造型汽车外流场数值分析简化模型"和正交实验优化算法组成的车灯造型参数设计平台。

In this paper, searching technology of product information based on knowledge was researched. On the aspect of cognition, we researched the relation between user\'s cognition and designer\'s cognition, explored the knowledge flow in the process of product development, set up a matching model between user\'s knowledge and designer\'s knowledge, brought forward a modeling method based on users\' cognition, and set up a measurable model of product feature; coded and decoded product form element, set up a computer aided product form design system and image evaluating system based on the result of measurement. Accordingly, the product style and product image were systematically discussed, the recognition space of product style and image was constructed, the factors that affect product style and image were put forwards and analyzed, and the relation between product image and form elements was tested by experiments. Furthermore, the product automatic recognition technologies were discussed.And then, with the media of concept model and the kernel of parameter technology, a mathematic model that describing product layout design by constraints and rules was presented. Furthermore, a product design integration system based on imagery thinking including product fonii base system based on imagery thinking, product form design system based on imagery thinking and product form intelligent design system based on space layout were set up, which tested the system and provided a new way for product innovative design.

本文以产品特征描述目标对象——产品，研究一种基于知识的产品信息检索技术，在对产品的认知方面，研究了用户认知和设计师认知之间的关系，研究了产品开发过程中的知识流传递过程，建立了用户知识和设计知识之间的匹配模型，提出了一种基于用户知识的产品建模方法，它不但提取了产品的特征，还建立了产品特征量化模型，从而实现了产品知识的量化描述；对产品造型元素进行分解和编码，利用实验量化结果构造计算机辅助产品形状设计系统和心象评价系统；使用量表分析造型元素的心象尺度，构造输入、输出系统，建立了产品设计知识库咨询系统，可以方便用户和设计师来导入或查询产品设计方案；实现了对产品造型心象的分类知识库系统，便于设计师存储或查询，辅助设计师进行产品创新设计；通过实验量化了产品造型参数和产品心象参数之间的关系，并在此基础上建立了基于心象的产品形状设计系统，为产品空间布局方案智能生成系统奠定基础；在基于知识库的基础上建立了产品空间布局方案智能生成系统，通过更改概念产品造型参数，实现了产品设计方案的智能生成，使系列化的设计工作变得十分方便；将产品的心象运用到实际设计过程中，能够引导流行趋势，创造出产品无形的设计价值。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

And the westernized women's clothing formed, namely the women's clothing of Shanghai's style.2、 Westernized subject content that the westernization of the modeling element is the women's clothing, and modeling westernization of element clothing structure, clothing modeling form change that westernization brings of craft in fact: The westernization of the element of the surface fabric, on one hand influenced by western artistic style, on one hand textile technology, westernized result of technology of dyeing ; The auxiliary materials element is occidentalized to followthe direct result of western fashion , aesthetic change.3、 Key point that Shanghai women's clothing is westernized that widewesternization is the Republic of China period, occidentalize to make the wholeform of the women's clothing changed into the Western-style S type from thetraditional H type in wide type, the change of such external form is the widecultural transition to narrow clothes decorations culture of clothes decorations infact.4、 In the westernized course of the women's clothing of the Republic of ChinaShanghai, 1920 times rely mainly on the fact that the dress is matched andoccidentalized ; 1930 times rely mainly on occidentalizing in modeling ; And1940 times rely mainly on the fact that the auxiliary materials are occidentalized .

局部西化女装是在保留部分传统女装构成元素的基础上，通过造型元素西化、面料元素西化或辅料元素西化，而形成的西化女装，即海派女装。 2、造型元素的西化是女装西化的主体内容，而造型元素的西化实质上是服装结构、工艺的西化带来的服装造型形态变化；面料元素的西化，一方面是受到西方艺术风格的影响，一方面是纺织技术、染色技术的西化结果；辅料元素西化多是追随西方流行时尚、审美变化的直接结果。 3、廓型的西化是民国时期上海女装西化的关键所在，廓型西化使得女装的整体形态由传统的H型转变为西式的S型，这种外在的形态的改变实质上是宽衣服饰文化向窄衣服饰文化的过渡。 4、民国上海女装的西化过程中，1920年代以服饰搭配西化为主；1930年代以造型西化为主；而1940年代以辅料西化为主。

This paper introduces the concept of automated intelligent tire design as basis, and then systemically presents the general framework of CAD 3-D digital tire model design platform. Its modules include the demand representation, demand preanalysis, product list generation, product list modeling, testing, tires knowledge-base and tire parts-base. The realizing process and key techniques of the product list modeling module are described, including calculation principle of groove section and groove modeling scheme ,and so on. This paper also introduces an improved algorithm of calculating groove centerline. Finally CATIA platform and VBA toolkit-based tire design system is established under detailed demand representation type.

在提出自动化智能轮胎设计概念基础上，系统地阐述了计算机辅助设计三维轮胎数字化模型开发设计平台的整体架构，包括需求表示、需求分析预处理、产品清单生成、产品清单造型、产品检验、轮胎知识库和轮胎零件库等模块；叙述了数字轮胎设计造型模块的实现过程和关键技术，包括花纹沟截面计算原理和各种花纹沟的造型方案等，同时，还提出了一种改进的计算花纹沟中心线的算法；最后基于CATIA三维造型平台和自动化语言VBA二次开发工具实现了在详细需求表示类型下的轮胎设计系统。

The concept of form feature and form feature line in terms of describing the automobile form was introduced based on the 100 digital models of automobile.20 form feature lines was captured from the 100 digital models,and sorted into three classes: the main feature line,the transition feature line,and the subjoin feature line.

在构建100个汽车造型数字模型的基础上，引入特征的概念对汽车造型进行描述，提取了20条汽车造型特征线，将其分类为主特征线、过渡特征线和附加特征线，建立了基于特征和特征线的汽车造型描述模型。

Besides, the author also give a detailed analysis and conclusion from the four levels of the total layout, building flat surface layout, building space and the exterior space shape. First, the thesis analyzed the race building, aim at the special natural environment and social milieu, i.e. how its total layout is; the concrete nature adaptability to the natural and social features. Second, this thesis analyzes the feature of layout in this origin with the examples of store, house, general residence, house, courtyard, public buildings and the clues of person's living mode. Furthermore, the thesis launches from street space, courtyard space, indoors space to explore the villages and living room of the nationalities such as 汉,土家,苗,侗. Finally, the thesis gives a specific analysis of the exterior space and nature factor, unreasoned composition of exterior space and fortuity, the relationship between the exterior space and function, the exterior space and geography and hang feet floor and horoscope doors and fence etc.

首先，论文分析了民族建筑针对特殊的自然环境与社会环境，其总体布局如何；具体体现自然适应性和社会适应性的特色：其次，论文以店宅、一般住宅、宅院、公共建筑四种湘西民族建筑类型为主，以相应的人的生活模式为线索，分析湘西民族建筑的平面布局特色；再者，论文从街道空间、院落空间、室内空间三个部分展开，同时对湘西地区汉族、土家族、苗族、侗族的村镇和民居建筑空间分别进行了颇有民族特色的着力探寻；最后，论文分外部空间造型与自然因素、外部空间造型的非理性与偶成、外部空间造型与功能关系、外部空间造型与地形关系、吊脚楼及八字门与围墙等六个部分，具体分析湘西民族建筑外部空间造型特色。

Therefore this article carries out analysis on some aspects regarding plant modelling's material selection, application mode, as well as the functions developed in landscape gardens due to various periods, and different cultural backgrounds,and attempts to explore plant modellings' development trend;probes into modelling technique,methods and design's train of thought, and put forward some rational proposals with regards to current plant modellings' existing issues,to serve as reference to the art of plant modelling in the days to come.

因此本文通过对植物造型的材料选择、应用形式以及在不同时期、不同文化背景的园林中所起的作用等方面进行分析，试图探寻植物造型的发展趋势，探讨新的造型技术和造型方法与设计思路，并对目前植物造型存在的问题提出一些合理性建议，为今后的植物造型艺术提供参考。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的&表现&观念的历史考察着手，归纳出西方现代&表现&观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在&表现&观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的&否定性物象&来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。