通俗的

Indeed, but said from the pleased however angle that we should stop this kind of weakness the spread, oneself appropriate and the correct consideration treat and weighs (popular spot which certain praises or the benefit true value said that is other people's praise can have big advantage to oneself to be able has big direction nature for own development as well as now rear guard's advance), in order to reduce to other people's high caring about.

诚然，但从悦然的角度上说，我们该制止这种弱点的蔓延，自己恰当而正确的考虑对待及衡量某些赞扬或利益的真正价值（说的通俗点，就是他人的赞扬对自己能有多大的好处能给自己的发展以及今后路的前进有多大的指引性），以便能减轻些对他人的高度在乎。

That is to say, we could draw a conclusion through the comparison of different editions of drum words of Two Degrees Plum in Qing Dynasty Republic of China with the form, content and thought of novel, and the comparison of the form, content and thought with different editions of drum words. Our conclusion is that different type of edition of the drum words in latter Qing Dynasty times, which basically followed the traditional modes of past drum words from the formality, but the ideological content could directly reflect the vicissitudes of society and idea at that time with the times changed. The different types of texts of drum words had directly reflected the traditional entertainment involving talking and singing entertainer's thoughts (they represented the first floor people's thoughts at that time), and also had directly reflected the common and popular writers'thoughts from their adaptions(they represented at that time one kind of residential social stratum thought which increased sharply along with city expanded and resident social stratum population produced, and this thought also referred to one kind of thought after the chromolithography had entered into China in latter Qing dynasty, cultural printing propagation velocity sped up and drum words gradually became the ordinary resident's table-top reading material).This kind of thought produced along with the social vicissitudes, also impelled the entire society's forward development and the progress from the science and technology and the cultural domain.

本文即是对《二度梅》小说故事被改编为鼓词的文本进行研究的一篇论文，即通过对现存的清代民国《二度梅》鼓词的不同类型的版本与小说形式、内容、思想之间的比较，鼓词与鼓词不同类型版本之间的形式、内容、思想之间的比较，来阐述出一个结论，就是晚清时期的不同类型的鼓词版本，从形式上基本仍然沿袭了过去鼓词的传统模式，但内容思想上则随着时代变化而能够更直接地反映着当时的社会思想变迁，鼓词不同类型的版本文本直接反映了说唱艺人的思想(他们代表的是当时底层民众的思想)，也直接反映了文人改编鼓词的普通俗文人思想(他们代表了当时随着城市的扩大市民阶层人数的激增而产生的一种市民阶层的思想，当然这种思想也是指晚清石印术进入中国后文化印刷传播速度加快，鼓词逐渐成为普通市民的案头读物后而产生的一种思想来说的)，正是这种随着社会变迁产生的思想，又从科技和文化领域推动了整个社会的向前发展和进步。

Zhu Xi, on behalf of neo-cofucians in Song, dealed with the new challenge in two ways.In the field of thought,he returned to tradition, elucidated new concept, achieved the transformation of cosmology, and constructed new discourse praying for rains.These conceptual apparatus as power to change the world, connecting idear with politcal practice, formed new knowledge-power structure.In practice, Song confucius,as local watch-keeper, not only overcoming, but also preventing the disasters, employed constructive anti-disaster view to overwhelm droughts; as excutive to rule and punish, they adopted detailed strategies, hiding in the pathan of populer religion, trapping gods, autherizing daities, cleverly modefied roles, wove a new trick with more peace, more humility, and more respect, and enbodied a kind of brilliant non-resistant compellatio...更多n in competition with diffused religions else.

朱熹作为宋代新儒家的代表主要从两个方面因应这场危机：思想方面，回向传统，阐发概念，完成了宋代宇宙论的变革，建构了祈雨的新话语世界，这些概念工具成为了改变世界的力量，打通了理想和现实政治之间的断裂，形成了知识与权力的新结构；在实践中，作为地方的守护者，防治并重，不治有灾治未灾，发展出一套着眼于建设的祈雨抗灾观，作为规诫和惩罚的执行者，运用更加细腻而策略的手段，潜入民间宗教的万神殿，诱捕收编各路神仙、赐封认证各种灵迹，巧妙地转换角色，用更多的和平、更多的谦和、更多的尊重编织成一个新的圈套，成功地柔化了残酷镇压的外观，体现了一种高明的非对抗性强制，与弥散型宗教的通俗文化相竞争。

Xie Juezai transferred ancient topics of "running routine by one s own" and " asking others to work " into modern language fitting the context of time and environment as routinism and bureaucratism, at the same time, he combined the idea closely with the leadership style of that time, so to reflect and develop political and legal tradition systematically with reality.

谢觉哉将"躬亲庶务"与"委任责成"这一古老的话题，转换成当时革命队伍中通行的事务主义与官僚主义等通俗易懂的语言，并使其与我党当时进行的领导作风建设紧密结合起来，系统而自觉地对古代政治法律传统作了有价值的反省和发挥，将其与现实贯通起来，这本身就是一个创举；而更难能可贵的是，谢老并不拘囿于自己最初贬低"委任责成"的看法，而是在实践中转而肯定"委任责成"的价值和功能，修正了自己的观点、提升了自己的认识，表现出追求真理的严谨学风和工作作风；谢老是我党注重领导方式问题研究与实践的先行者和实践家。

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, 8ttt8.com still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于 www.ddd§tt.com 笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

Here, it is true, were none of the appliances which popular merriment would so readily have found in the England of Elizabeth's time, or that of James- no rude shows of a theatrical kind; no minstrel, with his harp and legendary ballad, nor gleeman, with an ape dancing to his music; no juggler, with his tricks of mimic witchcraft; no Merry Andrew, to stir up the multitude with jests, perhaps hundreds of years old, but still effective, by their appeals to the very broadest sources of mirthful sympathy.

诚然，这里没有伊丽莎白时代或詹姆斯时代在英国比比皆是的通俗娱乐设施，没有演剧之类的粗俗表演，没有弹着竖琴唱传奇歌谣的游吟诗人，没有奏着音乐耍猴的走江湖的人，没有变戏法的民间艺人，也没有逗得大家哄堂大笑的&快乐的安德鲁&①说那些由于笑料选出、虽已流传上百年、仍让人百听不厌的笑话。

Keeping the highest international standards of design and content, Nautica/superyacht team prides itself on the magazine is dedicated to technical and didactic articles, written by the authors in a way that everyone, even those who are just entering the yachting world, can enjoy.

在设计理念上，杂志秉承一贯的国际化品质，提供最新的市场信息，客观专业的游艇及备件测评等内容。在内容的撰写上，力图用通俗易懂的方式解析专业技术，即使是从未接触过游艇与海航的读者，也能够理解并分享到航海的无限乐趣。

All previous dynasties achievement high poetry is merges into one organic whole the sentiment and the artistic technique, the trial word generally, is not too popular, is too obscure, cannot make the reader very smooth to understand his sentiment, but the Li Yu word deifies two aspect's factors fuses together, the spoken language same language includes is actually average person some is also with difficulty realized with difficulty the sentiment, may say, the Li Yu word has achieved the highest boundary, also has achieved the highest artistic achievement.

历代成就高的诗词都是将感情和艺术手法融为一体的，一般的试词，不是太通俗，就是太晦涩，不能使读者很流畅的理解他的感情，而李煜的词就将两方面的因素都神化性的融合到一起，口语一样的语言包括的却是一般人难以有的也是难以体会到的感情，可以说，李煜的词达到了最高境界，也取得了最高的艺术成就。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

Firstly, we analyze animate noun from three semantic features of control; secondly, we compare the power of person, organization and location in order to check out their animacy; thirdly, using VP-internal Subject Hypothesis in Transformational and Generative Grammar, we investigate Chinese, Kachin and Hani of Tibeto-Burman languages and give out the animacy hierarchy of semantic roles; fourthly, we discuss the animacy of personal pronoun, referential pronoun, proper noun, general noun and abstract noun; fifthly, topic and subjectivity pay attention to the variation of animacy of noun in the paragraph from pragmatic and cognitive points of view respectively; sixthly, we compare the numerical representation of noun in Chinese and Tibetan and other Tibeto-Burman languages. The conclusion is drawn on the relationship between number and animacy; lastly, the influence of popularity on animacy is pointed out. The fifth part includes conclusion and questions leaving behind.

第一，自控度从、、三个语义特征考察名词的生命度；第二，权力度主要通过比较指人名词与机构名词、处所词的权力度大小来检验其生命度的高低；第三，题元角色是运用转换生成语法关于动词短语内部主语的假设，考察汉语和藏缅语族的景颇语和哈尼语，对题元角色的生命度等级序列进行排序；第四，定指度和指称、专有及抽象性主要是考察人称代词、指示代词、专有名词、普通名词和抽象名词的生命度高低；第五，话题和主观性分别从语用和认知两个角度考察名词生命度在语篇中的变化情况；第六，数范畴涉及汉语和藏缅语族的藏语、独龙语、羌语、普米语、景颇语和哈尼语，主要比较它们名词表数概念的差异，总结数范畴与生命度的关系；最后，列举了通俗度对汉语名词生命度的影响。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失