逆风

Once or twice in the Day time, I thought I saw the Pico of Teneriffe, being the high top of the Mountain Teneriffe in the Canaries; and had a great mind to venture out in hopes of reaching thither; but having tried twice I was forced in again by contrary Winds, the Sea also going too high for my little Vessel, so I resolved to pursue my first Design and keep along the Shoar.

有一两次，在白天，我仿佛远远看到了加那利群岛高山的山顶--泰尼利夫山山顶。当时我很想冒一下险，把船驶过去。可是试了两次，都被逆风顶了回来。而且，这时海上风浪很大，我们的船又小，无法驶向大海。因此，我决定依照原来的计划，继续沿海岸行驶。

Once or twice in the Day time, I thought I saw the Pico of Teneriffe, being the high top of the Mountain Teneriffe in the Canaries; and had a great mind to venture out in hopes of reaching thither; but having tried twice I was forced in again by contrary Winds, the Sea also going too high for my little Vessel, so I resolved to pursue my first Design and keep along the Shoar.

有一两次，在白天，我仿佛远远看到了加那利群岛高山的山顶--泰尼利夫山山顶。当时我很想冒一下险，把船驶过去。可是试了两次，都被逆风顶了回来。而且，这时海上风浪很大，我们的船又小，无法驶向大海。因此，我决定依照原来的计划，继续沿海岸行驶。6小时掌握学英语的秘诀！——点击看答案

Once or twice in the Day time, I thought I saw the Pico of Teneriffe, being the high top of the Mountain Teneriffe in the Canaries; and had a great mind to venture out in hopes of reaching thither; but having tried twice I was forced in again by contrary Winds, the Sea also going too high for my little Vessel, so I resolved to pursue my first Design and keep along the Shoar.

有一两次，在白天，我仿佛远远看到了加那利群岛高山的山顶--泰尼利夫山山顶。当时我很想冒一下险，把船驶过去。可是试了两次，都被逆风顶了回来。而且，这时海上风浪很大，我们的船又小，无法驶向大海。因此，我决定依照原来的计划，继续沿海岸行驶。以上内容均来自互联网，仅供参考，并不代表英霸观点。

Following after the new century, Liu Hui cast off the experimental photography for making the paintings through light,changed his transferential impulse into abstract one, returned to the easel painting, substituted brush for knife, and even went against the wind by the help of the formalist wings, ran away from the jail of hearts locked up by uproar.

作为边缘艺术家，疏离的立场是获得自由的必要前提，在进入新世纪之后，刘辉从以光作画的实验摄影摆脱出来，也就是从移情冲动向抽象冲动摆渡，回到架上，以刀代笔，进一步借助形式主义翅膀，逆风而行，逃逸&尘嚣敷锁&的&心狱世界&。

In order to solve this problem, an improved algorithm is presented in the paper. Results from model data show that the method can diminish traveltime error in near surface model with great difference in slowness and describe accurately seismic sliding along the interface of the velocity layers.

提出了一种改进的地震波走时计算的逆风差分算法，通过考虑首波和散射波的走时，能有效地减小速度值差异较大的近地表地质模型的走时计算误差，准确地描述速度界面上折射波的滑行描述，特别适用于近地表层析成像及地震勘探中的静校正问题。

This is not a good move. He even has to kick into the wind.

这不是好决定他甚至要逆风踢球

Ducks by the hundred, all uneasy in the surf, in the raw wind, just ready to rise, and now going off with a clatter and a whistling like riggers straight for Labrador, flying against the stiff gale with reefed wings, or else circling round first, with all their paddles briskly moving, just over the surf, to reconnoitre you before they leave these parts; gulls wheeling overhead, muskrats swimming for dear life, wet and cold, with no fire to warm them by that you know of; their labored homes rising here and there like haystacks

成群的鸭子在巨浪狂风中不安地游向岸边，正要上岸时，随着一阵嘎嘎的叫声，纷纷散去，直奔往Labrador，有的瑟缩着翅膀逆风飞行，有的先是浮在浪头打转，快速地扑打着双蹼，打量了一眼船上的人才离去；海鸥在空中盘旋，麝鼠也奋力游着，浑身湿冷，它们可不能和人一样用火取暖，到处是它们象草堆一样垄起的房子。

Many waves are there agitated by the wind, keeping nature fresh, the spray blowing in your face, reeds and rushes waving; ducks by the hundred, all uneasy in the surf, in the raw wind, just ready to rise, and now going off with a clatter and a whistling like riggers straight for Labrador, flying against the stiff gale with reefed wings, or else circling round first, with all their paddles briskly moving, just over the surf, to reconnoitre you before they leave these parts; gulls wheeling overhead, muskrats swimming for dear life, wet and cold, with no fire to warm them by that you know of; their labored homes rising here and there like haystacks; and countless mice and moles and winged titmice along the sunny windy shore; cranberries tossed on the waves and heaving up on the beach, their little red skiffs beating about among the alders;-- such healthy natural tumult as proves the last day is not yet at hand.

那儿风大，空气清新，激流拍岸，水花四溅直朝你脸上扑来，芦苇草和灯心草迎风翻舞。成群的鸭子在巨浪狂风中不安地游向岸边，正要上岸时，随着一阵嘎嘎的叫声，纷纷散去，直奔往Labrador，有的瑟缩着翅膀逆风飞行，有的先是浮在浪头打转，快速地扑打着双蹼，打量了一眼船上的人才离去；海鸥在空中盘旋，麝鼠也奋力游着，浑身湿冷，它们可不能和人一样用火取暖，到处是它们象草堆一样垄起的房子。晴朗多风的岸边，有数不清的老鼠，鼹鼠和山雀；酸果蔓在波浪中招摇，红色的小艇摇晃穿梭在桤木丛中-----这种生机勃勃的景象说明世界末日远未来临。

The direction with the aid of the piece in mouth of the character is rephrasing in own words this to us about "the wind" and "free" the truth, deaf young people to luff, is also similarly for feels "the wind" the sound, Pacific Ocean's wind has the language, even if cannot hear, can also be able to feel.

导演借助片中人物之口向我们转述着这个关于&风&和&自由&的道理，失聪的年轻人逆风行驶，也同样是为了感受&风&的声音，太平洋的风是有语言的，即使听不见，也能感受得到。

Fuel economy is less when driving in crosswinds or headwinds.

在侧风或逆风中行驶，燃油经济性会下降。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。