逆风

The direction with the aid of the piece in mouth of the character is rephrasing in own words this to us about "the wind" and "free" the truth, deaf young people to luff, is also similarly for feels "the wind" the sound, Pacific Ocean's wind has the language, even if cannot hear, can also be able to feel.

导演借助片中人物之口向我们转述着这个关于"风"和"自由"的道理，失聪的年轻人逆风行驶，也同样是为了感受"风"的声音，太平洋的风是有语言的，即使听不见，也能感受得到。

He omitted at least two key safety devices, namely the nose cone which prevents the sail from deforming in the wind, and the luff lines which prevent uncontrollable dives.

他省去了至少二关键保险装置，即防止风帆扭屈在风的顶锥和防止无法控制的下潜的逆风行驶线。

The Sea Rat, as soon as his hunger was somewhat assuaged, continued the history of his latest voyage, conducting his simple hearer from port to port of Spain, landing him at Lisbon, Oporto, and Bordeaux, introducing him to the pleasant harbours of Cornwall and Devon, and so up the Channel to that final quayside, where, landing after winds long contrary, storm-driven and weather-beaten, he had caught the first magical hints and heraldings of another Spring, and, fired by these, had sped on a long tramp inland, hungry for the experiment of life on some quiet farmstead, very far from the weary beating of any sea.

航海鼠稍稍填饱了肚子，就接着讲他最近一次航海的经历。带领着这位单纯的听者遍游西班牙所有的港口，登陆里斯本、波尔图和波尔多，来到英国的康威尔郡和德文郡那些可爱的港口，然后溯海峡上行，到达最后的港湾地带。他顶着暴风雨和恶劣的天气，逆风航行了很长时间，终于登上了陆地，迎来了又一个春天的迷人气息。这一切激励着他匆匆奔向内陆腹地，一心想体验某种宁静的农庄生活，远远避开海上的颠簸劳顿。

As he drew near, he slackened speed, took the middle of the street, leaned far over to star-board and rounded to ponderously and with laborious pomp and circumstance -- for he was personating the Big missouri, and considered himself to be drawing nine feet of water.

他越来越近，于是他减慢速度，走到街中心，身体倾向右舷，吃力、做作地转了船头使船逆风停下――他在扮演"大密苏里号"，好像已吃水九英尺深。他既当船，又当船长还要当轮机铃。

As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance-for he was personating the Big Missouri, and considered himself to be drawing nine feet of water.

他越来越近，于是他减慢速度，走到街中心，身体倾向右舷，吃力、做作地转了船头使船逆风停下——他在扮演"大密苏里号"，好像已吃水九英尺深。他既当船，又当船长还要当轮机铃。

We are now additionally equipped with rainproof saddle-bags who carry all our belongings, which we will need the coming days.

我们每个人各自将未来几天将用到的行李装入防水马鞍袋内，迎著逆风在南回公路朝台东前进。

Only in the event of wind to shake scull boat just a reminder.

只在遇上逆风时要摇橹催船而已。

This Confusion of my Thoughts kept me waking all Night; but in the Morning I fell asleep, and having by the Amusement of my Mind, been, as it were, tyr'd, and my Spirits exhausted; I slept very soundly, and wak'd much better compos'd than I had ever been before; and now I began to think sedately; and upon the utmost Debate with my self, I concluded, That this Island, which was so exceeding pleasant, fruitful, and no farther from the main Land than as I had seen, was not so entirely abandon'd as I might imagine: That altho' there were no stated Inhabitants who liv'd on the Spot; yet that there might sometimes come Boats off from the Shore, who either with Design, or perhaps never, but when they were driven by cross Winds, might come to this Place.

现在，对我来说最大的危险不过是那边大陆上偶尔在此登岸的三三两两的居民而已。他们是被逆风刮过来的，上岛完全是出于不得已，所以他们也不愿留下来，上岛后只要可能就尽快离开，很少在岛上过夜。否则的话，潮水一退，天色黑了，他们要离岛就困难了。所以，现在我只要找到一条安全的退路，一看到野人上岸就躲起来，别的事情就用不着操心了。

When operating under a single-line condition, the changes of air temperature and humidity of different point in the sprinkling area are not same .

单支管喷灌时，各点的温度和湿度变化相差很大；在有风时，这种变化更为显著，顺风侧的温差和相对湿度差要明显的大于逆风侧的。

The grade that invests orgnaization Susquehanna to also will divide numerous medium from bullish reduce for indifferent, call this the company " be faced with China the driving against the wind that macroscopical economy and aggravation of global banking crisis bring ".

投资机构Susquehanna亦将分众传媒的评级从看涨下调为中立，称该公司正"面临中国宏观经济及全球金融危机恶化所带来的强劲逆风"。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。