迷失的人

Person goes on foot in in the world , goes on foot in time, in going on foot losing the way against one's will in self.

人在世界上行走，在时间中行走，无可奈何地迷失在自己的行走之中。

There are many people lost themselves in Internet and the worse, they commit crimes by Internet.

有许多人在网络中迷失了自己，甚至更糟的是利用网络犯罪。

Teenagers are likely to vanish into cyberspace, but I will never do that.

少年人可能会迷失在电脑里面，但我不会那样的。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军，他们从不同的角度，以各自不同的方式，展示了中国现代社会中的一幅幅人生图景：张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态；刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态；谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑，提倡人的精神解放和主体意志的彰显；刘震云以近乎残忍的描写，揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲；张炜强调一种内在真情与良知的表达，认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的，就是人在心灵深处为自己和他人保存的那一份真情与良知；潘军从复归自我和维护个性尊严的角度，把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

As a minister in Hong Kong, it is easy to lose oneself in the complexity of church life and administrative work, even though the Bible clearly teaches that the servant of God should focus on prayer and teaching the Word of God (Acts 6:4). Yet how easily we allow the trend of society to carry us away, how then can we say we're serving the Lord?

作为一个香港的传道人，很容易会在繁杂的教会事务中迷失，纵然圣经堣w很清晰的教导主仆人要以祈祷传道为念(徒6：4)，但人往往却更容易随著社会洪流而走，实际真的在做神的工作吗？

When we were Crown gambling house, i and my friends walked here and paid a visit, just like a group of little fish who missing at a vortices, loosed the orientation, wilder the ideal. Hearing the voice "HUA HUA" made by cones dropped from the punchboard , i said :"sometimes, this noise can catch people's soul."

在皇冠赌场，作为参观者的我们几个朋友，象是迷失在旋涡里的一群小鱼，找不到方向，也找不到理想，听到硬币在老虎机里哗哗掉落的声音，我说："有时候，这种声音真的让人很容易迷失。"

You know, at the university, there are a lot of people do not know what they are doing and why and being lost gradually , self-mockery may often happen at the high school at least we know why they fight for,but being into the university they even after lost the most fundamental goals.

你们知道吗，上了大学之后，有很多人都不知道自己在干嘛，一个个的迷失了方向，许多人甚至自嘲，上高中的时候我们至少知道自己在为什么而奋斗，上了大学之后连最基本的目标都丢了。

Take heart, see again slowly back to the bridge, but saw before the sky blue moon river water wave disorderly a shining, intoxicating sprinkled on the shimmering water, such as agitate billow, near the fairyland, now oneself is unreal, a drop of water as waves and breeze, flashing and beating and lost feiyang... That hovered at the bottom of the depressed suddenly fallen petal insurmountable mud!

把心慢慢收回来，再看看眼前的桥下，但见湛蓝的天幕上月儿摇乱了一江碧水，那醉人的清辉洒在粼粼江水中，潋滟激荡，人如临仙境，此刻自己正幻化成一滴水珠，一缕轻风，随着光波而闪烁而跳动而迷失而飞扬……那盘桓在心底的难以逾越的压抑顿时落花成泥！

With society being industrialized, pragmatism and utilitarianism has captured the human being: education is loosing its way in the market while everything in the world has been instrumentalized and a kind of commodes.

工业社会以来，功利与实用的价值俘虏了人的心灵，人的整个生存空间都随之商品化和工具化，教育也在可以出售一切的市场上迷失了自己。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。