迷乱的

There's the dazzle of "flying flowers thrusting into eyes", and it condenses their indifferent paranoiac raving and coquettishness in the chaotic world of the noisy reality.

作品里有着"乱花渐欲迷人眼"的眩目，以及在现实喧嚣的混世里浓缩了他／她们无所谓的妄想呓语和独领的风骚。

When he raved about the way her hair color matched her eyes, the creaminess of her skin, her taste in clothes,"it was like water on a dying plant," she says.

她头发和眼睛的颜色如此和谐，肌肤胜雪，衣裳中透出的体香让他意乱神迷。"一切仿佛久旱逢甘露。"她说道。

Through comparative analytic approach and compared with forefathers' thoughts and other masters' thought of that ear, the author conclude Confucius' theory of humanity can amend human being mental losing, spirit haphazardness, emptiness of faith, direct development of human nowadays with its theory and experience.

寻求孔子人道观的积极因素来匡正人心的迷失、精神的迷乱、信仰的缺失，充分发扬其中的理念和经验来为我们如今推动人的发展提供借鉴可行的方法指导。

The third part is for the purpose of elaborating in the feminine gender consciousness confused time, the female falls into is in a dilemma the region, on the one hand by narcissistic way repel masculine world, on the other hand falls into the masculine words snare, degenerates into "the onlooking" object, as well as female in order to go out spiritual reconsidering and the poetry exploration which this difficult position does.

第三部分旨在论述在女性性别意识迷乱期，女性陷入两难境地，一方面以自恋的方式排斥男性世界，另一方面又陷入男性话语的圈套，重新沦为"观看"的客体，以及女性为了走出这一困境所做的精神反思和诗歌探索。

So the water is oriental,solemn and quiet,pure,clear and distinct,wisdom,all figures as same as the traditional Chinese painting's ascthetic value trend.the color is she as a new human in 21th century under the global background of oriental and western civilize culture mix together,she just make the west serve the east,make the past serve the present,imbibe the style of variety natural bright colors in western oil painting and the artistic conception of classical eternity in Chinese traditional painting,meanwhile naturally reach a tacit agreement with her natural personality of seeking green enviormental protection as same as the brilliant sunshine and full of vitality,then forming herself special and unique original artistic conteption style and all the presents would leading the viewer far away from the post-modern mirage full of tattered chaos confussion contaminate,and just take the audience get into her pure spirital homeland of self-perfect and satisfactory.

而水彩的使用也是首先缘自老子的"至善若水"，因此"水"是东方的、静观的、纯粹的、清明的、智慧的，这点与中国传统画的审美价值取向一脉相承，而"彩"则是她作为21世纪的新人类，在全球化东西方文明交融的背景下，西为中用古为今用地吸收了色彩丰富自然鲜明的西方油画风格和古典隽永的国画意境，并与其绿色环保，阳光灿烂，生气勃勃的天性追求自然而然达成了一致默契，从而形成了自己独具匠心的艺术境界呈现，并以此来引领观者远离迷乱破碎污浊的后现代幻境而进入其纯粹自足完善的精神净土家园。

It is a pleasure,to stand upon the shore,and to see ships tossed upon the sea;a pleasure,to stand in the window of a castle,and to see a battle,and the adventure thereof below;but no pleasure is cimparable to the standing upon the vantage ground of truth(a hill not to be commanded,and where the air is always clear and serene),and to see the errors,and wondering,and mists,and tempests,in the vale bwlows.

站在岸上看船在海中颠簸，站在一个城堡的窗口看一场战争，这些都是乐事，因为自己远离危险，而更为有趣的是站在一个真理的高地，一个尚未被人占有的山上，在一个空明而宁静的氖围中看沟里的人们的错误，迷乱，无所适从和争斗的风暴。

With such thoughts, my citified confusions melt into the quiet of the night.

带着这样的思绪，我那城市生活引起的茫然迷乱融化在夜的安谧之中。

Next we see that girl (Christina Liji acts the role of), she is the big eye that the body of thin and small, dress frightens in illegible, night, groggy below sunshine the ground goes, as if green at her, it is alcohol and drugs barmy opium poppy only, mad wild, bewilderment, faineant, Bohemian the human body.

然后我们看到那个女孩，瘦小的身躯、衣着潦草、黑夜里惊恐的大眼睛、她在阳光下摇摇摆晃地走，仿佛青春于她，只是酒精和毒品发酵的罂粟，狂野、迷乱、无所事事、放浪形骸。

In the nighttime version, by contrast, violent white lines cross the image in all directions, obfuscating a washed-out bed of flowers reduced to a symbolic recollection of its previous likeness.

黑夜的一幅与此大相径庭，暴烈的白色线条在画中铺天盖地，迷乱凋零的花朵是它对自己在日光下的艳丽的残存记忆。

Golden Notebook, which is grouped into four notebooks, through black, red, yellow, and blue these four notebooks to symbolize the outside world and the subjective world, reflecting the multi-modalities spirits of dramatic personae Anna-----a perplex and agravic soul.

《金色笔记》由四本笔记构成，通过黑，红，黄，蓝四本笔记象征并不仅是外部世界，它的另一端同时又瞄准人的主观世界，旨在反映主人公安娜思想的多形多态—一个迷乱，失重的灵魂。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。