迫不及待

I am bursting to tell you the news.

我迫不及待的想告诉你这个消息。

As soon as we have just walked out of last year's snow disaster,another series of farces,calamity and cabals come out......

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋和灾难就迫不及待地开始上演。。。。。。

As soon as we have just walked out of the last year's sonw disaster,another series of farces,calamity and cabals come out...

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串的闹剧，阴谋与灾难就迫不及待地开始上演。。。。。。

As soon as we have just walkd out of the last year's snow disaster,another series of farces,calamity and cabals come out

然而，当中国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待地开始上演

As soon as we have just walked out of the last year's snow disaster,another series of farces,calamity and cabals come out...

然而，当国人刚刚从上年末大范围雪灾的阴影中走才胡来的时候，一连串闹剧、阴谋与灾难迫不及待地开始上演了。。。。。。

As soon as we have just walked out of the last year's snow disaster, another series of farces, calamity and cabals come out

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待地开始上演

As soon as we have just walked out of the last year's snow disaster, another series of farces, calamity and cabals come out

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待的开始上演了

As soon as we have just walked out of the last year's snow disaster,another serios offarce ,calamity and cabals come out

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待

As soon as we have just walked out of the last year's snow disaster, another series of farces, calamity and cabals come out

然而，当国人刚刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待的开始上演

As soon as we have just walked out of the last year's snow disaster,another series of farces,calamity and cabals come out...

然而，当国人感刚从上年末大范围雪灾的阴影中走出来的时候，一连串闹剧、阴谋与灾难就迫不及待地开始上演。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。