进来的

Butterfly rushes in, but does not dare ask the Consul about Pinkerton.

蝴蝶夫人冲了进来，但没敢问领事关于平克顿的事。

Good work, Ponton. We're in.

好样的，庞顿我们进来了

I've just popped in to return your book.

我突然进来是要还你的书。

He came in, precede by his wife.

他和他的妻子一前一后地走了进来。

He came in, precede d by his wife.

他和他的妻子一前一后地走了进来。

I don't want to pull you into the trouble of my work.

我工作上的问题不想把你也牵扯进来。

Well, while things stood thus, suddenly the Hispaniola struck, staggered, ground for an instant in the sand, and then, swift as a blow, canted over to the port side, till the deck stood at an angle of forty-five degrees, and about a puncheon of water splashed into the scupper holes, and lay, in a pool, between the deck and bulwark.

就在这种情况下，伊斯班袅拉号突然一震，摇摇晃晃冲上浅滩，船底擦到了沙地上，船身迅速地向左舷倾斜，直到甲板成四十五度角竖了起来，大约有一百加仑的水从排水孔涌进来，在甲板和舷墙之间形成了一个水池子。

Came in and tried to punk me in front of my people.

进来并想在我的人面前带走我

Here the door opened, and a small quadroon boy, between four and five years of age, entered the room.

一个四五岁左右的第二代混血男孩走了进来。

Come in please. Don't worry I won't rape you!

请进来吧。别担心我不会对你做什么的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。