进来的

"Will you bugger off, I've got work to do."

"我能进来么？我是专程来此的"

Sheer white curtains bung at the little window to let in as much light as possible.

小窗上挂着极薄的白窗帘，尽量使阳光照进来。

Shrek: Yeah, right before they burst into flame.

史瑞克：对，像他们一样在烧成灰的一刻冲进来。

We were having a meeting when a stranger burst into the room.

我们正在屋里开会的时候一个陌生人闯了进来。

They were having a meeting when a stranger burst into the room.

我们正在屋里开会的时候一个陌生人闯了进来。

Yeah, I'll buzz you in.

好的， 我让你进来。

The other said it showed how miserly the old buzzard was-getting other people to do what he could have done a thousand times over without feeling it a mite.

另一方则坚持这恰恰证明了这个自私的老家伙有多么吝啬--这种事情他一个人做再多遍也不过是九牛一毛，他却要让全镇都参与进来。

The boys come in toghter and go out by twos and threes.

男孩子们一起进来，又三三两两的出去了。

The orchestra joins in after some time, reintroducing the piano's cadenza theme, while the soloist's part still flows across the octaves.

过了一段时间，交响乐团加入了进来，重新引入了钢琴的华彩乐段主题，独奏者仍然在几个八度之间游走着。

Why are ASA and Call Abandonment Rate, which are so widely followed in this industry, not included in the top five?

为什么在行业里被广泛遵循的指标没有别挑选进来？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。