这边的

One of these day, when taking care on foot, see here of another banner there, what there is above what advertisement, next I am thinking, if I in the evening secretly go hanging to go up you say how anyway others does not know again, the family still thinks the beautiful money that which company or what is does those who go, plainspoken I also do not know such dozen of advertisement go who contacting, hey...

某天，走路不小心的时候看到这边那边又一条横幅的，上面写着什么什么广告条，然后我就在想，如果我晚上偷偷的去挂一条上去你说怎么样呢反正别人又不知道，人家还以为是哪个公司或什么的花钱搞上去的呢，老实说打这样的广告我也不知道去联系谁，嘿嘿。。。

This failure in turn indicates her ultimate escape from the universal rule to which the man must submit in order to qualify as a man among men under the rule of the exceptional man, the polygynist emperor.

从女人这边看，涉及的是任何一组完全掌控女人之规则的失败，而这个失败又反过来指出了她之终究逃逸於这个普遍规则之外，这是个皇帝以下的男人必须遵守才得以是男人的普遍规则，而一夫多妻的皇帝是男人的特例，也是例外。

Its grey front stood out well from the back-ground of a rookery, whose cawing tenants were now on the wing:they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation.

宅子的灰色前沿从乌鸦巢的背景中显出来，巢中住的呱呱叫着的乌鸦正在飞翔；它们飞过草坪和园地要在一个大草场上落下，草场那里有一段塌了的篱笆和这边隔开，并有一排结实有节粗得象橡树一样的老荆棘，这即刻就说明这宅子命名的来源了。

Its grey front stood out well from the background of a rookery, whose cawing tenants were now on the wing: they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation.

灰色的房子和背后的白嘴鸦巢形成了鲜明的对比，巢里的居民们正哇哇叫着飞翔，它们飞过草坪和庭院，落在一个大牧场上。一道坍塌的围墙吧牧场同这边隔开。那里有非常高大的老荆棘，粗壮多节，，象橡树一样壮实，一下子就道出了这个房子名称的由来。

Never a pretty man, never a kind, softhearted role (in real life he was a softie of course) but always the guy you'd want on your side in a street brawl… because you know he'd fight damn dirty.

从不是一个完美的人，从不是善良，软心肠的角色（在现实的生活中他是一个柔软的人）但总是在街头打斗中你不希望这个人在你这边……因为你知道他的打斗非常的肮脏。

Here has innumerous restaurants, innumerous dishes, and lack of parking spaces and long queues of course, and also an awesome studio is hiding behind this street - Khaki Creative. You are right, Khaki don't provide food but only the carnival of vision and ideas.

这边有数不清的餐馆，有吃不完的菜肴，当然也有非常紧张的车位和排队的长龙，还有一家非常Awesome的工作室就隐匿于这条街上——Khaki Creative，对，Khaki没有吃的，但有更丰盛的视觉大餐。

By 17:50, the stadium was almost full. The viewers in the front rows suddenly made a tumult and stood up. Agatha and me promptly placed our telescopes to look around the backstage. After 2 or 3 seconds, I found Nakai walking pass the ring path of our side, I tried to search for Takuya at his back. A few seconds later, Takuya's face appeared on the big screen, I found out that he took the opposite direction and had walked quite far ahead that I could only see his back. I found a silver stick in his right hand, I thought it might be a sword, the black suit swang along with his move.

5点50，观众都差不多进场了，看到坐前排的人突然站起来，我跟阿加莎赶紧把望远镜对准后舞台位置寻找，几秒后看到中居走过我们这边通道，再在他后面找拓哉，几秒后他的脸出现在大屏幕上，才知道他走的方向与中居相反，等我发现的时候，已经只能看到远远背影了，那黑衣服随着他身体摆动着，手里拿的那根银色的棍子，会不会是剑呢？

The recent membership of the UNESCO patrimonies has been celebrated so ardently by the government, while the architectural landscape of Macao is turning into a Disney Land!

表面上像是在展示各式各样的文化活动及成就，如展览、艺术创作比赛等，但骨子里郤不断地鼓吹那无处不在的「贪图安逸」的贫乏思想──澳门是我家，澳门多美好﹗这边厢，为庆祝澳门被联合国教科文组织列入世界遗产的庆典是多麼盛大热烈，那边厢，澳门的建筑风貌郤越趋迪士尼化，还要是一个假的迪士尼

The low winter sun beamed directly upon the great double-doored entrance on this side; one of the doors being open, so that the rays stretched far in over the threshing-floor to the preacher and his audience, all snugly sheltered from the northern breeze.

低沉的冬日直射着这边有着双层大门的入口处；一扇大门已经打开，外面的阳光照进里面的打麦场，落在讲道人的身上，也落在听讲道的人身上，他们都暖暖和和地站在麦仓里，麦仓挡住了北边的寒风。

And many times for some of us, there're some more holes, so from this, leaking comes, you know the rays in it, there is a reflection of a guru, and from another hole comes a reflection of the Avalokitesvara of four arms, woman, I don't know, whatever, driving fish.

有时候很多人，他们的蔽障之上会有更多的小孔，从这边泄漏出的光芒，投射出一个上师，从另外一个小孔呢，可能投射出的是观世音，可能是四臂的，可能是女相的，不知道，也许还骑着鱼。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。