这边的

Edmond then cast his eyes scrutinizingly at the agitated and embarrassed Mercds, and then again on the gloomy and menacing Fernand

爱德蒙于是拿回手，仔细看了看这边正在焦急为难的美塞苔丝，又看了看那边怀着阴郁敌意的弗尔南多。

Edmond then cast his eyes scrutinizingly at the agitated and embarrassed Mercédès, and then again on the gloomy and menacing Fernand.

爱德蒙于是拿回手，仔细看了看这边正在焦急为难的美塞苔丝，又看了看那边怀着阴郁敌意的弗尔南多。

Cast'.'' off one's sonEdmond then ''.'cast'.'' his ''.'eyes'.'' scrutinizingly at the agitated and embarrassed Mercédès, and then again ''.'on'.'' the gloomy and menacing Fernand.

爱德蒙于是拿回手，仔细看了看这边正在焦急为难的美塞苔丝，又看了看那边怀着阴郁敌意的弗尔南多。

A pack of Utai was already scampering toward the starfighter, which stood alone on the deck; they carried a variety of tools and dragged equipment behind them, and Obi-Wan assumed they were some sort of ground crew.

一队尤泰人已经蹦蹦跳跳地往这架孤零零的战机这边赶来了；他们带着五花八门的工具，后面还拖着一些仪器，欧比旺想这大概是些地面工作人员。

Tzu Chi volunteer, Wang Yulan:"It is a difficult job. I will focus my work in Colombo and fully practice Master Cheng Yen's charity mission in here."

慈济志工王玉兰：「是一项很艰辛的工作，我重点会放在可伦坡这边，要好好落实上人的慈悲。

Please take the lift on your left side.

你的房间号码是1470，在14楼。这边请。请您搭乘左边的电梯。

This process, resting the active side of the brain and awaking the rested half.

让活动的这边大脑休息，使已休息的大脑清醒。

When you really want something, the whole world conspires to help you

如果你真的希望事情发生，整个宇宙都站在你这边，作为你的同谋，让你的希望成真。

When I really want something, the whole world conspires to help me.

如果我真的希望事情发生，整个宇宙都站在我这边，作为我的同谋，请让我的希望成真

When we really want something, the whole world conspires to help us.

如果我们真的希望事情发生，整个宇宙都站在我们这边，作为我们的同谋，让我们的希望成真

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。