这边的

"I've never been to this part of the castle.At least not while awake.I sleepwalk,you see.That's why I wear shoes to bed."

我从来没来过城堡的这边，至少醒的时候没有，我常梦游，所以睡觉都穿着鞋子。

Perhaps it was a sudd en gust of anger th at forced that insult from him, and no

Creon 现在讲的这些话应该是因为太生气，在讲气话，这边是他的缺点

I'll show you to your room. This way,please.

我会领您去您的房间的，这边请。

"Your whole body, from wingtip to wingtip," Jonathan would say, other times, is nothing more than your thought itself, in a form you can see.

"你们整个身体，从这边翼梢到那边翼梢，"又有一次乔纳森又这么说，就是你们的思想本身，只不过变成了你们肉眼看得见的形式罢了。

See - I'll stand on this side of the wire netting, and you can keep on the other; so you may feel quite safe.

瞧好啦——我站在铁丝网的这边，你可以站在铁丝网的另一边；这样你就可以完全放心了。

Near the judge is the witness stand and over there is where the jury sits."As you can see," I finished,"there are a lot of people involved in making this system work."

在法官附近是证人席，这边是陪审团坐的地方"最后我说，"正如你们看到的，让这个系统运作中，有许多人参与

I'll show you to your room. This way,ple ase.

我会领您去您的房间的，这边请。

Both preferred a continental to an insular manner of life, a cisatlantic to a transatlantic place of residence.

两人都对大陆的生活方式比对岛国的有所偏爱，又都情愿住在大西洋这边，并不愿住到大西洋彼岸去。

"In the end we made mistakes and conceded goals but I thought we were unlucky to lose."

&在最后时刻的失球是因为我们自己的错误，但我觉得今天运气确实不在我们这边！&

But them said them teacher is not good, and them thinks my teacher should be better than them. I am happy and lucky, because of I can go abroad and study the fremdness culture, my friends are envious of me.

周末和爸妈打了电话，还是和以前一样的问了一下这边生活，其实我过的很好，可告诉他们时总会说还是家里好。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。