这边的

The fire chief showed up and tried to pull him off the school's ruins saying, Fires are breaking out, explosions are happening everywhere. You're in danger. We'll take care of it. Go home.

消防队长出现了，他也试图把这位父亲劝走，对他说：火灾频现，四处都在发生爆炸，你在这里太危险了，这边的事我们会处理，你回家吧！

We're supposed to go round the side, remember?

我们应该在这边的记得吗？

I don't have green onion at home, and so I sprinkled fried onion instead.

我家里没葱了，就撒了点油炸葱头，这边的人喝粥都是撒些这个，就算是入乡随俗吧。

The handrail of this side was painted just now,so it is easy to fade.

这边的扶手才刚被粉刷过，很容易掉色。

This side of the handrail was painted just now,so it is easy to fade.

这边的扶手才刚被粉刷过，很容易掉色。

This side of handrail was painted just now,it's easy to be faded.

这边的扶手才刚被粉刷过，很容易掉色。

This side of handrail were just painted, so it's easy to faded.

这边的扶手才刚被粉刷过，很容易掉色。

The side of handrail was just a whilewash,it's easy to fade.

这边的扶手才刚被粉刷过，很容易掉色。

This side of the handrail was painted just now,so it fade easily.

这边的扶手才刚被粉刷过，很容易掉色。

This side of the handrail was painted just now,so it's easy to fade.

这边的扶手才刚被粉刷过，很容易掉色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。