这边的

For women, yellow and cobalt blue will dominate clothing and accessories, as well as accents of neon pink, green and yellow.

在女性这边，占据衣装和服饰的将会是黄色和钴蓝将，此外还将有氖光粉色，绿色及黄色。

Their counterparts in China, who describe the islands as the missing detail on the crest of the cockerel that China's map vaguely resembles, naturally want more.

而在中国这边，人们却形容这些岛屿好比中国雄鸡（由于中国地图看起来相似公鸡）的鸡冠失去了一部分，显然他们是想要更多。

Please come this way. I'll take you to his office.

请这边走，我带您去他的办公室。

Please come this way, I will take you to his offfice.

请这边走，我带您去他的办公室。

They had been walking about the place with some of their new friends, were my.ssbbww.com returned to the inn to dress themselves for dining with the same family, when the sound of a carriage drew them to a window, they saw a gentleman lady in a curricle, driving up the street.

他们到了蓝白屯的，便跟着几个新朋友到各处去溜达了一转，刚刚回到旅馆去换衣服，以便到一家朋友那里去吃饭，忽然听到一阵马车声，他们便走到窗口，只见一男一女，坐着一辆双轮马车，从大街上往这边来。

The number you are calling is not in service.please dail again.

我也来了。深圳这边实在是不想去一再反复的爬同一座山了。

Another kind is a help its data is in tripartite capture we here apply colours to a drawing.

另一种是帮助第三方抓取它的数据在我们这边渲染。

"It reminds them of Tzu Chi's humanistic dicta. Starting with the recycling station, we've slowly been teaching them, rather than waiting for them to first join Tzu Chi."

「让他们晓得慈济的人文是哪些，慢慢地我们从这边环保站教育他们，而不是等以后进来慈济再上课。

What?Elle,your work is here now and it's important.

听着，Elle！现在你的工作在这边，这工作很重要

I entreat you not to suppose that I moved this way in order to beg for a partner.

你可千万别以为我是跑到这边来找舞伴的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。