这

Actually I don't want my artwork to be very visualized. When I think I need a finishing touch in my art, there's one in the picture. If not, there's nothing in it.

在我的作品中我不希望作品太视觉化，所以我们可以说在我的作品需要画这一笔画的时候，这一笔就有了，我不需要这一笔，这一笔就没有了。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness

这是最好的时代，这是最坏的时代；这是智慧的时代，这是愚蠢的时代

It was the age of wisdom; it was the age of foolishness.

全球化的复杂性可经由查尔斯狄更斯作品中的话来描述："这是最好的时代，这是最坏的时代；这是智慧的时代；这是愚蠢的时代。"

Below are three pages taken from June 2000's issue of Starlog , a science fiction entertainment magazine. The article is an interview with Katey Sagal, who's the voice actress behind Leela, which deals with Katey's career, how she got the job at Futurama , and on her character, Leela.

下面三张来自Starlog2000年6月刊上，这是一本科幻作品娱乐杂志，这篇采访文章是Katey Sagal的，她是Leela的女声优，这篇采访关于Katey的配音演员生涯，她如何在Futurama中获得这份工作的以及她配音的角色Leela

No He won't have it , he knows his whole back city's ropes It don't matter, he's dope He knows that, but he's broke He's so stacked that he knows When he goes back to his mobile home, that's when it's Back to the lab again yo This whole rap shit He better go capture this moment and hope it don't pass him You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo The soul's escaping, through this hole that it's gaping This world is mine for the taking Make me king, as we move toward a, new world order A normal life is borin, but superstardom's close to post mortar It only grows harder, only grows hotter He blows us all over these hoes is all on him Coast to coast shows, he's know as the globetrotter Lonely roads, God only knows He's grown farther from home, he's no father He goes home and barely knows his own daughter But hold your nose cuz here goes the cold water His bosses don't want him no mo, he's cold product They moved on to the next schmoe who flows He nose dove and sold nada So the soap opera is told and unfolds I suppose it's old potna, but the beat goes on Da da dum da dum da da You better lose yourself in the music, the moment You own it, you better never let it go You only get one shot, do not miss your chance to blow This opportunity comes once in a lifetime yo No more games, I'ma change what you call rage Tear this mothafuckin roof off like 2 dogs caged I was playin in the beginnin, the mood all changed I been chewed up and spit out and booed off stage But I kept rhymin and stepwritin the next cypher Best believe somebody's payin the pied piper All the pain inside amplified by the fact That I can't get by with my 9 to 5 And I can't provide the right type of life for my family Cuz man, these goddam food stamps don't buy diapers And it's no movie, there's no Mekhi Phifer, this is my life And these times are so hard and it's getting even harder Tryin to feed and water my seed, plus See dishonor caught up bein a father and a prima donna Baby mama drama's screamin on and Too much for me to wanna Stay in one spot, another jam or not Has gotten me to the point, I'm like a snail I've got to formulate a plot fore I end up in jail or shot Success is my only mothafuckin option, failure's not Mom, I love you, but this trail has got to go I cannot grow old in Salem's lot So here I go is my shot.

无 他不会有，他知道他的整个回城的绳索它不处理此事，但他的涂料他知道，但他的突破他的，所以堆叠他知道当他回到他的手机在家，就什么时候，它的回到实验室又摇摇这整个说唱为Shit 他最好去捕捉这一刻，并希望它不通过他您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵灵魂的逃亡，透过这个洞，它的溃烂这个世界是矿井为录取令我国王，因为我们走向一个新的世界秩序过正常的生活，是borin ，但superstardom的接近邮政砂浆它不仅日益困难，只有长大白热化他的打击我们所有这些锄头，是所有对他的海岸到海岸的表演，他知道作为globetrotter 寂寞的道路，只有上帝知道他的成长到离家远，他的父亲并没有他回家，勉强知道自己的女儿但对于你的鼻子cuz这里有云冷水他的老板不希望他没有谟，他的冷战产物他们转移到下一schmoe谁流向他的鼻子鸽派和出售纳达所以肥皂歌剧是告诉，并逐步落实我想它的旧potna ，但在街上巡逻下去大达达姆弹达达姆弹达大您更好地失去了自己在音乐，时刻你拥有它，你最好永远不会放手你只能获得一杆，千万不要错过你的机会，以打击这个机遇而来的一生中只有一次的心灵没有更多游戏，我是改变你们称之为愤怒催泪这mothafuckin屋顶起飞一样二日犬笼我是playin在beginnin ，心情，一切都变了我是咀嚼起来，吐出一片嘘声起飞阶段但我一直rhymin和stepwritin未来的CYPHER 最好相信有人的payin该pied伯尔所有的痛苦内扩增事实我不能得到我的9至5月我不能提供适当类型的生命，因为我的家庭 cuz男子，这些goddam粮票不买尿布它的不看电影，有没有mekhi phifer ，这是我的生命这些时代，所以很难和它变得更难 tryin到饲料和水我的种子，加上见荣辱赶上了bein父亲和表面唐娜宝宝妈妈戏剧的尖叫和太多，我想留在现场的一个，另一个果酱或不得到了我的一点，我想蜗牛我必须制订一项阴谋前列我结束了在监狱或打针成功是我唯一的mothafuckin选择，失败的不是妈妈，我爱你，但这个线索已经去我不能老在塞勒姆的地段所以在这里，我去的是我的了一枪。

Look at this ,it's our latest product. Y:I don't like something recommended,generally not good. E:Why not having a look? Now let me introduce its supernatural function to you.This style of hair drier have two wind-speed ajustment,includes the quick wind one and the natural cold one. Hot wind can dry your hair ,and cold wind can keep it still. Any style you want ,just use it. Y:I want to use it to blow my boy friend's hair looks like yours . E:OK,I'll show its function to you. Y:Wait,wait...How can I see the effect while your hair is dry? E:How do you feel like it? Y:I'm satisfied with it.

你看看这款这是我们的最新产品 Y：我不喜欢别人推荐的，一般都不是好东西 E：百闻不如一见现在就让我给你介绍一下它的神奇功能这款吹风机具有快速风和自然冷风两档风速调节，热风吹干冷风定型你想让你的头发成什么型它就能吹出什么型 Y：我想给我的男朋友吹头发，大概你这么长，发质和你差不多 E：为了展示我们这款吹风机的神奇功能现在就由我为你亲自示范 Y：等等等等，，，，你的头发都是干的我怎么能看到效果呢 E：你觉得怎么样？

More often it is grim: almost everyone, it turns out, was informing on the Martons, from neighbours to the nanny. Through it all, her father baffled his persecutors, who could not believe that the suave, stylish polyglot was just what he claimed to be: a hard-living, hard-playing newsman. His undoing came when a traitor in the American embassy reported that he had lent to officials there a copy of an official document, the state budget. Not exactly a secret, but pretext enough to send him to be broken in the AVO's dungeons.

这常常是无情的：事实证明几乎所有的人，从邻居到保姆，都对Marton一家进行了揭发，自始至终，她的父亲都反击了迫害者，这些迫害者难以相信这位礼貌又有风度地通晓多国语言的人如他所声称的那样：一位艰难生活、艰难工作的报人，当一位美国大使馆的叛徒揭发他将一份有关政府预算的政府文件的副本借给这里的官员时，他的不幸到来了，尽管这份文件不能确切的算作秘密，但是这足以成为将他送入AVO的地牢遭受折磨的借口。

But never was a Fight manag'd so hardily, and in such a surprizing Manner, as that which follow'd between Friday and the Bear, which gave us all (though at first we were surpriz'd and afraid for him) the greatest Diversion imaginable: As the Bear is a heavy, clumsey Creature, and does not gallop as the Wolf does, who is swift, and light; so he has two particular Qualities, which generally are the Rule of his Actions; First, As to Men, who are not his proper Prey; I say, not his proper Prey; because tho' I cannot say what excessive Hunger might do, which was now their Case, the Ground being all cover'd with Snow; but as to Men, he does not usually attempt them, unless they first attack him: On the contrary, if you meet him in the Woods, if you don't meddle with him, he won't meddle with you; but then you must take Care to be very Civil to him, and give him the Road; for he is a very nice Gentleman, he won't go a Step out of his Way for a Prince; nay, if you are really afraid, your best way is to look another Way, and keep going on; for sometimes if you stop, and stand still, and look steadily at him, he takes it for an Affront; but if you throw or toss any Thing at him, and it hits him, though it were but a bit of a Stick, as big as your Finger, he takes it for an Affront, and sets all his other Business aside to pursue his Revenge; for he will have Satisfaction in Point of Honour; that is his first Quality: The next is, That if he be once affronted, he will never leave you, Night or Day, till he has his Revenge; but follows at a good round rate, till he overtakes you.

紧接着，星期五和那只大熊之间展开了一场最大胆、最惊人的大战。这场大战起初确实使我们胆战心惊，最后却使大家开怀大笑。熊的身体笨重，行动蹒跚，跑起来当然没有狼那样轻快。因此，他的行动有两个特点。第一，对人来说，他一般不把人当作猎食的对象；当然，像现在这样大雪遍地，极端饥饿的时候，这笨拙的大家伙是否也会吃人，那就很难说了。一般来说，要是在树林里遇到熊，你不去惹它，它也不会来惹你。不过，你得特别小心，要对它客气，给它让路，因为它是一位特别难以取悦的绅士，即使是一位王子走来，它也不肯让路。如果你真的害怕，最好不要看它，继续走你的路。如果你停下来，站着正视它，熊就认为是对它的侮辱。如果你向它丢点什么东西，打中了它，哪怕是一根小小的树枝，只有你手指头那么粗，熊也认为是一种侮辱。这时，它会把一切丢开不管，一心只想报仇，不达目的决不罢休。这有关它的荣誉问题，它一定要把面子挣回来才算满足。这是熊的第一个特点。第二个特点是，熊一旦受到侮辱，就会不分昼夜地跟着你，一直到报了仇才罢休，哪怕绕上许多路，也要赶上你，抓住你。

We, who are Thine, offer to Thee, on behalf of Thee, that which is Thine own, this pure Offering, this reasonable Offering, this bloodless Offering, and we ask Thee and implore Thee: receive this Oblation at Thy altar on high from the hands of Thy angels ...

我们，谁是你的，你愿意，代表你，这是你自己，这纯粹发售，这合理设置，开设这一流血，我们要求你和恳求你：收到此奉献在你的祭坛从高掌握你的天使。。。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。