还乡

Eustacia, the heroine of The Return of the Native, has received various criticisms. For example, Saturday Reviewer sees Eustacia as "a wayward and impulsive woman". Albert J. Guerard thinks that Eustacia is "the first of Hardy"s irresponsible and mildly neurotic hedonists." Havelock Ellis holds the view that "uperficially she was timid; it was beneath that timidity that her stronger and more rebellious spirit dwelt.

其中《还乡》的女主角游苔沙历来受到了批评家的关注，例如《星期六评论》认为游苔沙是一个&任性、冲动的女人&；A·格拉德说游苔沙是&哈代所塑造的那些缺少责任感而且有点神经质的享乐主义者中的头一个&；H·艾利斯则指出：&表面看来，她羞怯，但在这种羞怯下面，却有着坚强、叛逆的精神&。

The thesis discusses the tragic effect of Hardy's four major novels through the forms and contents, namely, The Return of the Native, The Mayor of Casterbridge, Tess of the D'ubervilles and Jude the Obscure.

本文通过哈代四本主要小说—《还乡》、《卡斯特桥市长》、《德佰家的苔丝》和《无名的裘德》的形式和内容来论述哈代小说的悲剧效果。

His best local-colored works are his later ones, such as The Return of the Native, The Trumpet Major, The Mayor of Casterbridge, The Woodlanders, Tess of the D'Urbervilles and Jude the Obscure.

他晚年的作品最富地方色彩，如《还乡》《号兵长》《卡斯特桥市长》《林地居民》《德伯家的苔丝》与《无名的裘德》这些作品便，，是著名的&角色与环境为纲的小说&，最好的代表了作者自然主义与批判主义的写作特点。

In this paper, the author explores three forms of irony, situational irony, dramatic irony and cosmic irony in the scenery description in Hardy"s two novels, The Return of the Native and Tess of the D"Urbervilles, from the level of language and the level of narrative discourse.

本文作者从语言层次上和叙述对话上探讨了哈代小说《还乡》和《德伯家的苔丝》中景物描写中三种反讽形式—情景反讽、戏剧反讽和命运反讽。

As of Tuesday, Google's results were still censored in China.

截至周二，谷歌的搜索结果仍受中国审查。

In order to make the positive action increase and negative one decrease, the sub-forces of the social factors must be adjusted to form a centripetal force.

在这一过程中，人的主体性发挥是社会有机体健康发展的灵魂。