还乡

Eustacia, the heroine of The Return of the Native, is one of them.

还乡》的女主角游苔莎就是其中之一。

This paper focuses on analyzing the complicated personality of Eustacia in The Return of the Native, who is one of the most famous and typical characters to present Thomas Hardy's ingenuity in the creation of female characters.

这篇论文着重分析了《还乡》中尤苔莎这个具有鲜明个性的女性形象。她是哈代作品中在最为著名和典型的女性角色之一，显示了哈代在塑造女性角色上的天赋。

Both Eustacia and Cuicui have distinctive natural beauty, human beauty and tragic beauty.

《还乡》中和游苔莎和《边城》中的翠翠都有着鲜明的自然美、人性美和悲剧美。

Eustacia , the heroine of the return of the native , has received various criticisms .

这些角色中，关于《还乡》女主角游苔莎·斐伊的评论也有很多。

Eustacia, the heroine of The Return of the Native, has received various criticisms. For example, Saturday Reviewer sees Eustacia as "a wayward and impulsive woman". Albert J. Guerard thinks that Eustacia is "the first of Hardy"s irresponsible and mildly neurotic hedonists." Havelock Ellis holds the view that "uperficially she was timid; it was beneath that timidity that her stronger and more rebellious spirit dwelt.

其中《还乡》的女主角游苔沙历来受到了批评家的关注，例如《星期六评论》认为游苔沙是一个"任性、冲动的女人"；A·格拉德说游苔沙是"哈代所塑造的那些缺少责任感而且有点神经质的享乐主义者中的头一个"；H·艾利斯则指出："表面看来，她羞怯，但在这种羞怯下面，却有着坚强、叛逆的精神"。

In concrete research, the dissertation concludes two styles of the motif: the practical and the idealistic, six structures of the motif: the returnee's disillusion, the returnee meeting old friends, the returnee putting ideal into practice, the returnee's retirement, the returnee's revenge and the returnee' individual struggle, two narrative sequences of the motif:"leave the native place"——"returning to native place"——（"leave the native place"）, and illusion——disillusion, and three basic subjects of the motif: the realistic view in troublous time, illustration of Chinese experience in cultural "change" and "installation", and modern moral: the imagination of native place and the identity.

具体的研究中，本文总结出现实和精神还乡两种类型，"还乡者启悟"、"还乡者遇故旧"、"还乡者践行理想"、"还乡者歇隐乡里"、"还乡者复仇"和"还乡者'一个人的抗战'"六种母题构成模式，"离乡"——"还乡"——、"幻得"——"幻失"两种基本叙事序列以及"动荡、转型时代的现实图景"、"文化'转换'与'安置'中的中国经验阐释"、"现代性寓意：故乡想象和身份问题"三个基本主题。

His best works are his later ones, such as The Return of the Native(1878),The Trumpet Major(1880),The Mayor of Casterbridge (1886),The Woodlanders(1887),Tess of the D'Urbervilles(1891)and Jude the Obscure(1895),among which the last two are the most popular.

哈代最著名的小说是他后期写的一些著作，比如《还乡》、《卡斯特桥市长》、《林居人》、《苔丝》和《无名的裘德》，其中后两部最为出名。

His best local-colored works are his later ones, such as The Return of the Native, The Trumpet Major, The Mayor of Casterbridge, The Woodlanders, Tess of the D'Urbervilles and Jude the Obscure.

他晚年的作品最富地方色彩，如《还乡》《号兵长》《卡斯特桥市长》《林地居民》《德伯家的苔丝》与《无名的裘德》这些作品便，，是著名的"角色与环境为纲的小说"，最好的代表了作者自然主义与批判主义的写作特点。

In The Return, Eustacia hates the Heath and want to escape from it; Clym wants to change it; while Thomasin and Venn are faithful to it; but for Mrs. Yeobright, she neither loves it nor hates it, she is like a denizen.

在《还乡》中，游台莎憎恨荒原并且想逃离荒原；克林想改变荒原；而托玛沁和维恩则对它很忠诚；对约布赖特太太来说，她既不爱它也不恨它，她就象外来者，与荒原格格不入。

In The Return, Eustacia hates the Heath and wants to escape from it, Clym wants to change it; while Thomasin and Venn are faithful to it; but for Mrs. Yeobright, she neither loves it nor hates it, she is like a denizen.

在《还乡》中，游台莎憎恨荒原并且想逃离荒原；克林想改变荒原，而托玛沁和维恩则对它很忠诚；对约布赖特太太来说，她既不爱它也不恨它，她就像是外来者，与荒原格格不入。

The circulation, consumption and reproduction of the trilogy have not only testified to its historical significance and literariness, but also invested it with new meanings.

该三部曲的流通、消费与再生产不仅验证了其历史意义及文学性，而切还赋予它以新的意义。

If he thought that he could buy me off, he would be wrong.

如果他认为他可以收买我，那他就大错特错了。