迎合观众

Her first major appearances were in London singing Isolde and Brunhilde. She sang four seasons at the Royal Opera, Covent Garden, and then appeared in a fabled production of Purcell's Dido and Aeneas at the Mermaid Theater. She returned to the Metropolitan Opera in 1950 and during her final seasons there sang Brunhilde, Isolde, Fidelio, and the title role in Gluck's Alceste, the role of her farewell. In 1949 and 1950, she appeared in Fidelio at the Salzburg Festival, her only appearances there.

一个人要经历漫长达20年的失意而不放弃自己的事业是一件了不起的事情，当时，为了迎合观众的口味弗拉斯达德主要演唱轻歌剧，这类歌剧根本就不符合她的气质和音色，但是，她依然不肯息影舞台，不过，在那段日子里弗拉斯达德并没有刻意学过瓦格纳歌剧，她本人对瓦格纳的兴趣也很不稳定，日后能成为杰出的瓦格纳女高音连弗拉斯达德自己也有些吃惊。

When speaking at a mass meeting, he always plays to the gallery. He loves popularity and tells the people only what pleases them.

他在集会上讲话时总是迎合观众的口味，他喜欢讨人们欢喜，因而只讲一些人们喜欢听的东西。

This is in comparison to most of the recent big-budget wuxia pian movies which deal in mythmaking at best, pandering to the audience at worst. Wheat is very much a human story, its cast vulnerable, flawed and generally imperfect.

近期几部大制作的武侠片不是装神弄鬼就是一味迎合观众，相比之下，《麦田》讲述的是普通人的故事，他们脆弱，有缺陷，并非完美。

As a popular literature, in order to cater for the audience in which more are plebs, Yuan zaju is easily classified because of its plot more repetitive.

作为俗文学的元杂剧，为迎合多为下层民众的观众，其情节重复性较大，较容易归类概括。

The technique of cel anime was suited to obvious impacts, and it was designed so that the viewers would see nothing but powerfulness, coolness, and cuteness.

逐格动画的技术更能迎合这个显而易见的冲击。他被设计为保证观众只看到强大的、有型的、以及漂亮的一面。

While catering to the audience, the film also has an effect of aesthetic guidance and remodification upon the audience.

但电影在迎合观众的同时，也对观众有着审美引导、审美改造的作用。

However to cater to had already been used to the talking motion picture audience, Chaplin started "Light of from the Urban" to choose compromise photography means that that was the photography contains the sound "silent ", but was not in the traditional significance to the unsilvered glass.

然而为了迎合已经习惯了有声片的观众，卓别林从《城市之光》开始选择了一个折中的拍摄办法，那就是拍摄包含声音的"无声片"，而不是传统意义上的对白片。

Obviously, it seems that his intention is to make another kind of voice out of the deep water, which makes it fight against traditional phalloccntrism; while also entangle on the male dcsire peering at female bodies in his narrative words, using the supposing visual center in the film picture to disguise the ubiquitous male desire peering at female bodies, all which embody the desire to close the western cultural center regardless of the picture handling and cameral lens cutting. Finally, he spends every strain to alleviate visual pressure and catering to the visual feeling of the western audience using narrative tactics, while the real intention to fight for language right with traditional phallocentrism. So it"s safe to say that this is a right fight between traditional phallocentrism and marginal counterpart. Just as the sacrifice of women in Zhang"s films, the marginal women again betrayed in Lous, and women again become the punishing and desire subject and swapping subject between men.

似乎让另外一种声音浮出水面是他的叙事意图，使它能够对抗传统中心话语权威；然而，在他影片的叙事话语中，仍然纠缠于固执的男性对于女性的窥视，利用设定影片画面中的表层观看&中心&，企图掩饰他影片中无处不在的对于女性的窥视欲，无论是在影片画面处理、影片镜头的剪辑上都显示出对西方强势文化中心的靠近，利用其中叙事策略来尽量减轻或者迎合西方观众的视觉接受，而其真正的叙事权威就是利用&边缘&来争夺西方观众的肯定，来与传统男性中心权威话语争夺话语权，这是一场传统男性中心话语权威与男性边缘群体争夺话语权的斗争，就如张艺谋的影片中以牺牲女性为代价，娄的影片中同样牺牲了边缘女性群体，女性再一次成为窥视、惩罚的对象，成为男性交换的对象。

The writers have several reasons to create historical plays, the first being that they have no other choices, the second, they want to develop historical spirits to seek for the"unfamiliarized"kind of art, and the third, they also want to cater to the audiences' aesthetic interest.

历史剧作家创作历史剧原因是多方面的，这可能是他们别无选择的选择，不仅如此，他们为发展历史的精神，追求&陌生化&的艺术，也为迎合观众的审美趣味。

The dissertation affirms that there is a process of cyclic effect and cross-remodification between the film and the audience. Provided that the audience ken is viewed as the starting point, the process can be described like this. In order to own the market by better satisfying the audience expectation ken, the film appeals to the audience aesthetic tastes and spectating psychology.

本文认为在电影和观众之间存在一个循环影响、互相改造的过程，如果把观众的期待视野作为考查这个过程的起点，那么可以这么描述这个过程：为了更多的满足观众的期待视野而拥有市场，电影是迎合观众的欣赏趣味和观影心理的。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。