过来

And David said to Abiathar the priest, the son of Ahimelech,"Bring me the ephod."

大卫对亚希米勒的儿子祭司亚比亚他说：「请你将以弗得拿过来。

Come here, sister. Erika said in that deep voice.

过来，姐姐。她用低沉的声音说。

EROS This is an all-consuming love: it absorbs all of the attention and colours every aspect of life.

性爱 这是一种全部占有的爱：它把生活各方面的每一注意力、每一色彩都吸引过来，融合进去。

Okay, I'm gonna go get the Escalade.

嗯，我现在去开凯迪拉克过来。

If but one of them escap'd, to tell their country people what had happen'd, they would come over again by thousands to revenge the death of their fellows

否则，如果有一个人逃回去，把这儿发生的一切告诉他们的同胞，他们就会有成千上万的人过来报仇

On the other hand, I argu'd with my self, That this really was the way not to deliver my self, but entirely to ruin and destroy my self; for unless I was sure to kill every one that not only should be on Shore at that Time, but that should ever come on Shore afterwards, if but one of them escap'd, to tell their Country People what had happen'd, they would come over again by Thousands to revenge the Death of their Fellows, and 1 should only bring upon my self a certain Destruction, which at present I had no manner of occasion for.

另外，我也认识到，这种主动攻击野人的计划不仅不能拯救自己，反而会完全彻底地毁灭自己。因为，除非我有绝对把握杀死当时上岸的每一个人，还能杀死以后上岸的每一个人；否则，如果有一个人逃回去，把这儿发生的一切告诉他们的同胞，他们就会有成千上万的人过来报仇，我这岂不是自取灭亡吗？这是我当前绝对不应该做的事。

At a certain point we feared that Esteban would have to come off the pitch because he took a knock to his foot. But he's a very proud lad and he never gives up.

当时我们害怕坎比亚索会因为他的脚伤而提前离场，但是他并没有放弃，而是十分坚强地挺了过来。

You can use some of it before Aunt Ethel comes over as well.

你可以使用一些之前埃塞尔阿姨也过来。

Etty: Come here, Henry aren't the eggs fantastic?

：过来，亨利，这鸡蛋是不是很奇特？

Although it is based on reality, the school of art has a broad choice of subjects, a great freedom in composition, and a combined use of symbolism, euphonium and humor in the expression of ideas. As for skills, it gives an emphasis on the realism of details and the romanticism of the whole and in effect provides the audience with an infinite space for imaginations.

程亚杰从他维也纳老师胡特那里承继过来的"想现实主义"严格地讲，更倾向于浪漫主义的创作方法，它虽然有现实的意义根据，但创作主体有更大的物象选择和组合的自由，画面背后的意图更多的是通过象征、隐喻和幽默的营构来反映；在表现手法上则是重视细节刻画的写实和整体构成的变实，这种写实和变实的交错使用给幻想留下了超时空自由组合的广阔空间。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。