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达里尔

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The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,"超验"与"妙悟"的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。

Three Knights—Antares Draco, Ganner Krieg, and Sigel Dare—escorted Fel to Bastion in 137 ABY and were at his side when the deposed Emperor took control of the planet away from the forces loyal to Darth Krayt.

在137ABY,三名帝国武士:安塔尔德拉科,加纳克里格和茜格尔戴尔,护送费尔前往巴斯提恩堡,并与这位被废黜的皇帝一同,收编了行星的驻军,使巴斯提恩堡脱离了达斯·克雷特的势力控制。

The latter was a young, brave, leading Seminole in the Florida war of that time — was surrender'd to our troops, imprison'd and literally died of "a broken heart," at Fort Moultrie.

后者是那时弗罗里达之战中一个年青勇敢的森密诺尔人什头目——他被交给了我们的军队,被监禁在墨尔特里要塞,后来因"过度优伤"而死亡了。

Delicate Francis DaPavia read, from delicate onionskin, yellow pages, or pink, which he kept flipping carefully with long white fingers, the poems of bis dead chum Altman who'd eaten too much peyote in Chihuahua but read none of his own poems—a charming elegy in itself to the memory of the dead young poet, enough to draw tears from the Cervantes of Chapter Seven, and read them in a delicate Englishy voice that had me crying with inside laughter though I later got to know Francis and liked him.

单薄的弗朗西斯达帕维亚拿着一叠像洋葱皮一样薄的黄色,或是粉红的纸,用细长白皙的手指小心翼翼地不停翻着,一页一页地念着他已故的密友奥尔特曼所写的诗,他前不久才在济华花Chihuahua)因为吸了过量的佩奥特碱过世,但达帕维亚没有念自己的诗——这本身便可以算是一首纪念这位诗人的挽歌,足够从《堂吉诃德》的第七章里挤出眼泪来,但他念诗时所用的那种单薄的纤巧的英国腔调却让我不由得在肚子里大笑起来,不过稍后同他熟悉之后我还是挺喜欢他的。

Chandler-Eteme's recent collaborations include: Yuri Temirkanov and the Baltimore Symphony, Rome's Santa Cecilia Orchestra, Stefan Sanderling and the Florida Orchestra, Peter Oundijan at the Grand Teton Music Festival, James Conlon and the Cincinnati Symphony, Jahja Ling and the San Diego Symphony, The Andreas Delfs and the Milwaukee Symphony, Leonard Slatkin and the Nashville Symphony (inaugurating the brand-new concert hall in Mahler's Second Symphony; telecast nationally on PBS), Carl St.

桑德林与福罗里达乐团,格兰德泰顿音乐节与安震恒的合作,詹姆斯?康伦与辛辛那提交响乐团,林望杰与圣地亚哥交响乐团,戴尔弗斯与密尔瓦基交响乐团,莱昂纳德?斯拉特金与纳什维尔交响乐团(马勒第二交响乐团新音乐厅落成典礼,有PBS进行全国电视转播),卡尔。

Pirlo, Materazzi, De Rossi and Del Piero all converted their spot-kicks for the Azzurri but although Sylvain Wiltord, Eric Abidal and Sagnol found the net for France, Trezeguet's miss from France's second penalty let in Grosso to win the Trophy for Lippi's side.

皮尔洛、马特拉齐、德罗西以及德尔-皮耶罗均顺利为意大利队将点球罚进,而维尔托德、阿比达尔和萨尼奥尔则为法国队打进了点球。特雷泽盖点球不中,这使得格罗索的进球帮助里皮的球队捧起了世界冠军的奖杯。

Satakunta Polytechnic is an institution of higher vocational education operating in five towns in western Finland. It has ten educational units in five towns in the region of Satakunta: Harjavalta, Huittinen, Kankaanp??, Pori and Rauma.

萨达昆达工业大学是一所多学科高等技术教育高校,其在邻近的五个城市开展教学活动,它们分别是哈亚瓦尔达、休迪宁、刚帕、波里和劳玛。

In addition, there are Narmada River, Godavari River and Krishna River.

此外,还有讷尔默达河、戈达瓦里河,克里希纳河等。

Clare towards the end of her life, with the assistance of Cardinal Rinaldo, afterwards Alexander IV, and in this revised form was approved by Innocent IV, 9 Aug., 1253 Litt.

该规则强加给穷国女子在圣达米安的约1219年由红衣主教乌戈利诺,后来格里高利九,被改写的圣克莱尔快要结束时她的生命的协助下,红衣主教里纳尔多,后来亚历山大四世,并在此修订形式批准了无辜四, 1253年8月9号

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,&超验&与&妙悟&的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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