达达主义

Modernism includes a lot of different trends of thoughts: F auvism , Expressionism, Cubism, Futurism, Dadaism, Abstractionism, Surrealism, etc… At the end of World War II, western modern art which developing terminal has entered a new stage ---- the Post-Modernism was born.

现代主义美术包括许多不同的思潮和流派：野兽主义、表现主义、立体主义、未来主义、达达主义、抽象主义和超现实主义等。

To forestall any attempts at exegesis('Author, Citing Dadaism's Erstwhile Esotericism, Opposes Present-Day "Mamaist" Obfuscations'), I confess that as a title it means nothing at all; but then the very concept of meaning is now outdated, nerdy, pre-ironic.

作者标榜了达达主义，并对古老的奥秘进行了无限的憧憬和展望；而对现在仍然存在的只是"模糊不清而无任何实质意义的玛玛主义"进行了不懈的抨击。

To forestall any attempts at exegesis ('Author, Citing Dadaism's Erstwhile Esotericism, Opposes Present-Day "Mamaist" Obfuscations'), I confess that as a title it means nothing at all; but then the very concept of meaning is now outdated, nerdy, pre-ironic.

为了免去注释的麻烦（作者，引用达达主义的早期深奥主义，与现在的实际主义者的困惑相反），我承认，作为题目它毫无意义；不过，"意义"的概念如今已是过时、卑微、且极具讽刺的。

Section one is the introduction of Dadaism and Superrealism separately, and also their relationship with each other; Sections two is the expression and meaning of Dadaism and Superrealism in Satie" s piano works, to feel the themes of "Aesthetics involved.

第一节是传统有序结构在萨蒂钢琴作品中的表现；第二节是无序结构在萨蒂钢琴作品中的表现，分为两部分进行论述，第一部分分别介绍达达主义和超现实主义以及两者之间的关系；第二部分论述达达主义和超现实主义在萨蒂钢琴作品中的体现及意义，以此来探究萨蒂钢琴作品中的美学思维。

With the Dada movement faded on the basis of which appeared in art thought surrealism.

随着达达主义运动消退，在此基础上出现了超现实主义艺术思潮。

After that, chapter two, in order to explore for the purpose of the subconscious self, so is based on Dadaism, Surrealism, Psychoanalysis, Abstract Expressionism and Symbolism. In addition, according to the analysis of literature review on relevant psychological theories, we can find out the meanings of symbolic significance of the images from works.

第二章，以探求自我潜意识为目的，故以达达主义Dadaism、超现实主义Surrealism、心理分析主义Psychoanalysis、抽象表现主义Abstract Expressionism与象徵主义Symbolism的思想来作为理论基础，并配合相关心理分析理论的文献，观察作品中出现之物象的象徵意义。

When American Pop art met the Chinese modernism in that very context, a certain mystery was produced: Pop art was readily understood as a Dadaist destructive art, while its cultural deconstructive property seemed to be ignored. By the early 1990s, due to the political reason, China had undergone its rapid social and cultural transition from Enlightenment era to consumerist era, while artists, who were still in despair because of the failure of cultural Enlightenment movement, found themselves confronted with a completely new economic market and their ideas mingled with those of modernist Enlightenment and post-modern deconstruction.

它以风格上挪用、平面化、去意义、去价值这类语言策略解构和消除现代主义的启蒙神话，成为与后现代主义哲学同构的文化思潮。80年代初沃霍尔访华，尤其是1985年劳申伯在北京和拉萨举办个展开始了美国波普主义在中国的传播，而这时正值中国85现代主义运动的高潮，启蒙和反叛是这一运动的主题，正是这种语境使这种传播产生了十分吊诡的意义落差：波普主义很轻易地被理解为一种达达式的破坏性艺术，而它的文化解构主义色彩反倒不易被体会。90年代初中国社会由于政治的原因急促地完成了由启蒙文化向消费文化的转型，艺术家们还沉迷在文化启蒙运动失败的悲壮气氛中却突然发现自己已深陷在一个一完全陌生的经济世界中，理想的失落和批判身份的丧失使他们的思想开始混杂于现代主义的启蒙建设和后现代主义的解构观念之间，于是，波普主义成为这个时代的一种自然的风格选择。

Poet, a doctor Bole east by the impact of Freudian psychology and Abolinai 1919, and Aragon, so proceed with Surrealism Soupault test, and import chala, founded in 1916 in Zurich Dada movement .1924 Bole-year break between East and Dadaist issued a "Declaration of Surrealism," founded "Surrealism Revolution" magazine, assembled Eluard, Aragon , Desnos, Soupault twenty or thirty writers, etc., to form a super-realist trend.

诗人、医生勃勒东受弗洛伊德心理学和阿波里奈的影响，1919年与阿拉贡、苏波等着手超现实主义试验，并汇入查拉1916年在苏黎世创立的达达主义运动。1924年勃勒东与达达主义者分手，发表《超现实主义宣言》，创办《超现实主义革命》杂志，集结了艾吕雅、阿拉贡、德斯诺斯、苏波等二三十位文人，形成一股超现实主义潮流。

Then we should re-explain art.

文章把现代主义艺术的抽象化进程作为第一部分：印象主义的崛起，后印象主义，现代主义的发展，这是一个艺术逐渐抽象的过程；杜尚以后的艺术作为第二部分：杜尚与达达主义，超现实主义，装置与新达达主义，波普艺术，从极少艺术到观念艺术，新具象艺术，这是一个以具象形式对抽象主义的反拨。

A technique that involves attaching various materials to the surface of the artwork, collage was developed in 1912 by Pablo Picasso and Georges Braque in the context of their exploration of cubism and is also characteristic of such other early twentieth-century AVANT-GARDE movements as DADA and CONSTRUCTIVISM.

拼贴 拼贴这种技术指将各种不同的材料贴在艺术作品的表面，是巴勃罗·毕加索和乔治·勃拉克1912年在钻研立体主义时发明的。20世纪早期的先锋派运动，例如达达主义和建构主义，也呈现出同样的特点。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。