达芬奇的

As it invariably happens, history and memory can prove helpful: Leonardo's Vitruvian man is "the measure of all things", while the Renaissance man expands the static point of view of the project anticipating the crucial theme of individual well-being (as Leon Battista Alberti put it in his De re aedificatoria ,"In the choice of the environment it is best to mind that it is welcome by its inhabitants from every point of view").

要设计一项围绕人的实际需求的建筑项目同样意味着创新、价值与激情的构思与应用。创新乃为满足动态参考条件；价值乃为适应社会潜在的经济和结构的变化；激情乃为对于所有参与者以及他们的实际需求的关注。能够证明有效性的永远都是历史与记忆：莱昂纳多·达芬奇的维特鲁威人是"万物的尺度"，同时文艺复兴时期的人发展了项目的静态观点，期望一个非常现代的焦点对象：即个人的康乐。（"在选择环境之时，最好能确保它的方方面面都受到居住者的欢迎"，阿尔贝蒂的《建筑学十书》）。

In Italy, to see Michelangelo's "Last Judgment," Leonardo's "Last Supper" and Botticelli's "Birth of Venus," it will cost you about $50; but in London, seeing the Tate Gallery, British Museum, and National Gallery won't cost you a pence.

在意大利，你可以看到米开朗基罗的"最后的审判"，达芬奇的"最后的晚餐"以及波提切利的"维纳斯的诞生"，这些会花费你50 美元，可是当伦敦皇家艾伯特音乐厅的坐票卖完了，你可以买站票。

Alongside the body, police have found a series of baffling codes. As Langdon and a gifted French cryptologist, Sophie Neveu, begin to sort through the bizarre riddles, they are stunned to find a trail that leads to the works of geonardo Da Vinci - and suggests the answer to a mystery that stretches deep into the vaul

让人绞尽脑汁的密码，就隐藏在列昂纳多·达·芬奇的艺术作品当中；令人绝望的角逐，就在遍布欧洲的大教堂和城堡里展开；令人震惊的事实真相，在掩盖了数百年之后，终于被撩起了神秘的面纱，告诉你关于"密码"的一切，本书为其原版作品。

However, classical artists' short venture into the human form's interior was to return once more to the human form's exterior, from that point onwards rendering more accurate and subtle depictions of human facial features and expressions; it is the body's exterior that moves people, that entertains, and is the ultimate goal and objective. The most typical examples are da Vinci's "Mona Lisa" and "Lady with the Ermine". It seems as if the skeleton is the one thing Luo Quanmu demands of the world. He has returned the world to its original state, solidifying it into a structure with a static framework.

不过，古典艺术家在人体内部的短暂旅行，是为了再次返回身体的表层，从而更为准确和微妙地表现人的面容与神态，身体的表层才是动人的、愉悦的，才是终点和表现对象；最典型的莫过于达·芬奇的"蒙娜丽莎"，或"抱貂的女人"……然而，对于罗荃木来说，骨架仿佛是他向这个世界索取的唯一实物，借助于骨架，他将世界还原、冷凝为一个静态的框架性结构。

Da Vinci's width and depth, Michelangelo's grandness, Raffaello's grace and charm, as well as Tiziano's boldness and unrestraint - all these are the great essences of Renaissance, bringing forward challenges for the future development of western art.

达·芬奇的博大精深，米开朗琪罗的宏大雄伟，拉斐尔的优雅妩媚，提香的自由奔放，这些都凝聚了文艺复兴盛期的伟大特征，为西方艺术的未来发展提出了难以应对的挑战。

Macro emulation witnessed Leonardo DaVinci's flying machines, Antonio Vivaldi's Four Seasons , and Jules Verne's cephalopodic, submarine creations; micro emulation found stained glass cathedral windows in dragonfly wings, Volkswagen bugs in Coleoptera, umbrellas in mushroom caps and gills, art nouveau music stands in Portuguese man-of-wars , fishing nets in spider webs, Japanese wagashi in cherry blossoms and frozen pine boughs, and Chinese scholar's rocks in pluming smoke and roiling ocean waves.

宏观仿真目睹列奥纳多达芬奇的飞行机器，安东尼韦华的四季，凡尔纳的cephalopodic ，潜创作；微观仿真发现彩色玻璃教堂窗户的蜻蜓翅膀，大众臭虫在鞘翅目，雨伞，在蘑菇帽子和鳃，艺术风格的音乐，站在葡萄牙语男子--战争，鱼网，在蜘蛛网，日本的点心，在樱花和冷冻松树boughs ，和中国学者的岩pluming烟雾和颠覆海浪。

His face -- round, ruddy-cheeked, with a drooping mouth and topped by a mop of black hair -- has since replaced Tom Hanks' on a poster for the movie "The Da Vinci Code" and Johnny Depp's for "Pirates of the Caribbean," to name just two.

他的脸圆滚，面颊红润，嘴唇下垂，头发蓬松。在电影&达芬奇的密码&海报上他那有特色的脸替代了汤姆汉克斯，在&加勒比海盗&的海报上则替代了约翰迪普。

The grouping at the right hand of Christ is perhaps the most important in daVinci's painting, certainly the most compelling.

在·达芬奇的画作中，坐在耶稣右手边的一拨可能是最重要的一部分，也是最引人注意的一部分。

In Leonardo's drawings, Giorgione, as well as the younger artist, Titian, and their master, Giovanni Bellini, glimpsed a new conception of the human form, based on observation and expressed in smoky contours and subtle shades of light and dark.

乔尔乔内和比他年轻的画家提香，以及他们的老师贝里尼从达芬奇的画作中一窥关于人物形象的新理念。这种理念来自于观察，而表现在那朦胧的轮廓和微妙的光影明暗。

In Leonardo's drawings,Giorgione,as well as the younger artist,Titian,and their master,Giovanni Bellini,glimpsed a new conception of the homan form,based on observation and expressed in smoky contours and subtle shades of light and dark.

Giorgione和比他年轻的画家Titian，以及他们的老师Bellini从达芬奇的画作中一窥关于人物形象的新理念，这种理念来自于观察，而表现在那微妙的轮廓和光影明暗中。

Do you know, i need you to come back

你知道吗，我需要你回来

Yang yinshu、Wang xiangsheng、Li decang,The first discovery of haemaphysalis conicinna.

1〕 杨银书，王祥生，李德昌。安徽省首次发现嗜群血蜱。