达伊里

Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

C6 o;{4 Z2 t% ^5 Awww.zikao5.com 19. Shakespeare's third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus.

第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧，悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。

In the film The Graduate , Dustin Hoffman is made to take the young Elaine out on a date.

在《毕业生》一片里，达斯汀·霍夫曼饰演的角色与年轻的伊莱恩约会，他带她到一家脱衣舞夜总会，原因是他想摆脱她，好接着去勾引她母亲。

Two erratic watercourses, the Ilissus to the south and the Eridanus to the north, prevented the town from expanding further.

雅典城外的两条曲折水道，即南边的伊利索斯河和北边的厄里达诺斯河为雅典划下了城界，使其无法进一步扩展。

So he saw Evander round your house.

他看到伊万达在你的房子里

Cast : Reese Witherspoon as Elizabeth, Mark Ruffalo as David, Donal Logue as Jack, Dina Waters as Abby, Ben Shenkman as Brett, Jon Heder as Darryl, Ivana Milicevic as Katrina, Caroline Aaron as Grace, Rosalind ..

演员：瑞茜威瑟斯彭伊丽莎白，马克鲁法洛，大卫，劳格的杰克，迪娜水域，艾比，本申克曼的布雷特，琼海德的达里，伊万娜米利塞维奇的飓风，卡罗琳亚伦的雍容，罗莎琳德。。。

She was the lady in the yellow dress, simple, bespectacled, plain not just in her housewifery but also in her demeanour, a contrast in every way to the stylish Imelda, who was still stuffing the boudoirs of the presidential palace with frocks and furs and shoes, shoes, shoes.

朴素大方的阿基诺夫人身着黄衣，戴着眼镜，看上去像一位平凡主妇，而且态度也十分谦和。这与奢侈浮华的总统夫人伊梅尔达形成鲜明对比，总统府里塞满了她的裙子、皮草和几千双鞋子。

In 180 BC the Dalmatians declared themselves independent of the Illyrian king Gentius, who kept his capital at Skodra.

公元前180年，伊利里亚由金提尔斯统治，首都为库斯坦，达尔马提亚人宣布从中独立。

Domingo in the opera's performance, with the exception of Othello, and should be Sutherland's "Hoffman's story", and Cotrubas's "La Traviata" and the cooperation and Ricciarelli "Aida."

多明戈在歌剧中的表现，除奥赛罗之外，应该是与萨瑟兰合作的《霍夫曼的故事》、与科特鲁巴斯合作的《茶花女》以及和里恰蕾莉合作的《阿伊达》。

And those that dwelt in Lacedaemon, lying low among the hills, Pharis, Sparta, with Messe the haunt of doves; Bryseae, Augeae, Amyclae, and Helos upon the sea; Laas, moreover, and Oetylus; these were led by Menelaus of the loud battle-cry, brother to Agamemnon, and of them there were sixty ships, drawn up apart from the others.

来自群山环抱、沟壑宕跌的拉凯代蒙。法里斯、斯巴达和鸽群飞绕的墨塞的兵勇，来自布鲁塞埃和美丽的奥格埃，来自阿姆克莱和濒海的城堡赫洛斯，来自拉斯和俄伊图洛斯地带的兵勇们，由阿伽门农的兄弟、啸吼战场的墨奈劳斯率领，统辖六十条海船，离着其他军旅群聚。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。