边缘的

Anthers without apical appendages or, if appendages present, inconspicuous and lacking membranous margin; pollinia with prominent translucent margin.

没有顶端附属物或，如果附属物宿存，不明显和缺乏的膜质边缘的花药；有突出的半透明的边的花粉块。

"In some regions, natural disasters or misguided policies, or both, compound already severe situations in rander them catastrophe for the most discriminated in * populations."

&在一些地区，自然灾害或错误的政策或二者同时的作用下使本来已经很严重的情况变的更早，使那些遭到歧视或处于社会边缘的人群遭受更大的灾难。&

By calculating STID in every pixel in image,the background clutter was suppressed.

实验结果显示，该算法的背景抑制效果明显，尤其对运用传统算法容易发生抑制不充分的建筑物边缘的有很好的抑制能力，与自适应阈值算法结合后的单帧目标检测也取得了满意的检测效果。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围，比喜马拉雅山更加陡峭，是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞，高原已上升至五千米，这种碰撞持续至今，毫无衰退。

Somewhere in that limbo which Earth describes in Prometheus Unbound, that vague region filled with Dreams and the light imaginings of men, is the dreary phantom of an unstraightened picture upon a ghostly wall.

然后又想像到在《解放的普罗米修斯》中描述的那个地狱边缘的某个地方，那个充满了人类梦想和愉快想像的模糊地带，有着阴沉可怕的幽灵，一幅画歪挂在鬼影般的墙上。

Somewhere in that limbo which Earth describes in Prometheus Unbound, that vague region filled with Dreams and the light imaginings of men, is the dreary phantom of an unstraightened picture upon a

然后又想像到在《解放的普罗米修斯》中描述的那个地狱边缘的某个地方，那个充满了人类梦想和愉快想像的模糊地带，有着阴沉可怕的幽灵，一幅画歪挂在鬼影般的墙上。

At first, mineral composition and distributing of impurities in andalusite grains were studied by SEM and EDS. The results showed that main mineral impurities were biotite, ilmenite, clay species, the wall rock conglutinated at brim of andalusite and impurities in the chiastolitic cruciform pattern were easily removed, but the small impurities in andalusite grain were hardly removed.

首先，利用SEM和EDS分析了红柱石矿的矿物组成和杂质分布，结果显示这种红柱石矿所含的杂质矿物主要是黑云母、钛铁矿和黏土矿物等，其中分布在红柱石颗粒边缘的围岩和空晶石内的黑十字容易去除，而分布在晶内的细粒杂质则不易去除。

We keep enjoying material satisfaction, meanwhile we also feel the loneliness deep inside. We are in the sea of materials, and our soul is dependent on material from outside. With the development of technology, a person will have great power, even great destroying power. Hence the world is becoming weak and unstable. Bright future overcasts the danger that Chinese culture is compelled to a margin by the Main Stream Culture.

我们不断地享受着物质带来的满足，也感到了内心的孤独：我们陷入了物的汪洋，心灵依赖外物；随着技术进步我们个人可以拥有极大的力量，甚至是破坏力，世界却因此变得脆弱而不稳定；乐观前景掩饰着中华文化被&主流文化&推向边缘的危机；生态环境因人类消费过度消耗了能量、资源而遭破坏。。。。。。

For beams employed in any span between supports there shall be no splice in the middle one-fourth of the span nor in the one-eighth of the span nearest any support, nor closer than 1200 mm to the edge of any support/joint, as applicable.

在任何支撑点的跨距内使用的梁，在跨距中间的四分之一位置上，不得有拼接口，在靠近支撑的八分之一跨距位置上，不得有拼接口。在应用上，接口与支撑/接头边缘的距离不得小于

Due to the nature of the auto fade of the sculpting brush alphas, the displacement intensity of the outer edge is less than the center.

因为之前修改过羽毛的ALPHA，使其边缘的位移深度比中间的少，现在羽毛可以出现一种很好的覆盖的效果

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。