边扫帚

Polished stone blocks and brooms and leather wings were strewn across the flagstones, vying for space with animal cages—some empty, some not—metal armatures of unknown creatures covered with ragged pelts or mismatched feathers, sheets of seemingly clear crystal stacked haphazardly against the tapestried walls...

擦亮的石块、扫帚、皮制的翅膀散布在石板上，和那些动物笼子争夺地盘。动物笼子有的是空的，有的不是。里面装着不知名的生物的金属爪子，那些生物不是有着粗糙的毛皮，就是有着搭配不当的羽毛。看上去看是无色晶体的薄片，随意地堆放在挂着绣帷的墙边。

Harry was polishing his Firebolt, the broomstick servicing kit Hermione had given him for his thirteenth birthday open at his feet.

哈利在擦拭他的火弩箭，那件赫敏在他十三岁生日时送给他的礼物，飞天扫帚维修工具箱，现在打开了放在他脚边。

Several broomsticks are provided along the wall to be used to fly up and try to catch the right one.

墙边放着若干把飞天扫帚用来飞行并抓到那把能开门的钥匙。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。