辞

Eventually, this will include more than 15.000 eponyms and more than 6.000 persons.

最后，将包括超过15.000人且包含6.000人专属医学名辞的创始者。

Many terms commonly used by abstract or constructivist artists can be found amongst the titles of works in this exhibition. One can easily think of them as transitions between energy and material, or the visible and invisible, or a kind of musical eurhythmy that manifests a structure hidden in the movements.

从这一次的展出作品的命名辞汇中，依然有许多来自抽象和构成艺术家的惯用语词，极容易令人想像的是一种能量和物质、可见与不可见的转换现象，一种隐藏在行动中的结构，一种音乐性的律动。

His speech was full of evasions and half-truths.

他的发言全是些遁辞和真真假假的陈述。

His answers to my questions were all evasions.

他对我的问题的回答均为遁辞。

His answers are nothing but clever evasions.

他的回答不过是巧妙的遁辞。

I had always assumed CVs were riddled with evasions, half-truths and downright whopper s.

我向来认定，简历中充斥着遁辞、半真半假的事实和彻头彻尾的谎话。

I had always assumed CVs were riddled with evasions, half-truths and downright whoppers.

我向来认定，简历中充斥着遁辞、半真半假的事实和彻头彻尾的谎话。

I had always assumed CVs were riddled with evasions, halftruths and downright whoppers.

我向来认定，简历中充斥着遁辞、半真半假的事实和彻头彻尾的谎话。

A kind of collective plaint of despair or melancholy or disappointment or separation, which is something that threads through my work and connects it, perhaps unexpectedly, to fado , blues, mourning prayers, or other forms of lament that also use repetition.

集体失望的悲叹、忧郁、不满或分离，贯穿于我的作品中，这也许出乎人们预料，它将作品与葡萄牙的思乡曲、布鲁斯、哀悼辞连接起来，或与其它使用反复手法表示悲伤的形式联系起来。

He can sit down and write a fine flourishing letter, full of professions and falsehoods.

他可以坐下来写一封天花乱坠的信，充满着遁辞和虚伪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。