轻歌剧

Her first major appearances were in London singing Isolde and Brunhilde. She sang four seasons at the Royal Opera, Covent Garden, and then appeared in a fabled production of Purcell's Dido and Aeneas at the Mermaid Theater. She returned to the Metropolitan Opera in 1950 and during her final seasons there sang Brunhilde, Isolde, Fidelio, and the title role in Gluck's Alceste, the role of her farewell. In 1949 and 1950, she appeared in Fidelio at the Salzburg Festival, her only appearances there.

一个人要经历漫长达20年的失意而不放弃自己的事业是一件了不起的事情，当时，为了迎合观众的口味弗拉斯达德主要演唱轻歌剧，这类歌剧根本就不符合她的气质和音色，但是，她依然不肯息影舞台，不过，在那段日子里弗拉斯达德并没有刻意学过瓦格纳歌剧，她本人对瓦格纳的兴趣也很不稳定，日后能成为杰出的瓦格纳女高音连弗拉斯达德自己也有些吃惊。

"Die Fledermaus" is an operetta composed by Johann Strauss II and is the treasure of the operettas in Vienna.

轻歌剧《蝙蝠》是十九世纪作曲家约翰·斯特劳斯的一部佳作，是维也纳轻歌剧中的瑰宝。

Regardless of its short-term popularity, operetta manifested a trend from serious opera to popular opera, and played a significant role in connecting traditional opera with musical.

它的流行时间虽然不长，但从整个歌剧的历史来看，轻歌剧却体现出歌剧艺术由严肃到通俗的发展趋势，起着连接传统歌剧和20世纪音乐剧的桥梁作用。

The Merry Widow is an excellent work of Franz Lehar, a milestone in the history of Viennese operetta and a gem of the operetta.

风流寡妇》是雷哈尔的一部佳作，是维也纳轻歌剧发展史上一座里程碑，是轻歌剧中的瑰宝。

After her opera diploma she became winner of with International Operetta Competition and began her career as a singer at the Vienna Volksoper.

取得歌剧学位之后，她参加国际轻歌剧比赛，获得冠军，并开始了她在维也纳人民歌剧院的职业生涯。

It preludes the Silver Age of Viennese operetta, enhances the position of dancing and folk music in operetta and diversifies the operetta styles.

它揭开了维也纳轻歌剧银色时代的序幕，提高了舞蹈、民间音乐在轻歌剧中的地位，促使轻歌剧向风格多元化的道路上发展。

First the formation of composing features is explored with reference to the life experiences of Lehar, the social and cultural background of his age and the development of Viennese operetta; secondly, the composing features are analyzed as to rhythm, melody, instruments device, ensemble and play books; Finally, the work is analyzed from the angle of singing. In this part the style of singing is explained specifically in terms of rhythm, timbre, etc. Also a famous Aria "vilja-lied" in this work is explained in detail and a comparison is made between operetta and opera to impress people with the singing style of operetta in a deeper way.

首先，本文从雷哈尔的生活经历、所处时代的社会文化背景、维也纳轻歌剧的发展来分析《风流寡妇》创作特特征的形成；其次，从节奏、旋律、配器、重唱以及剧本这几个方面来分析作品的创作特征；最后，从演唱的角度分析作品，除了从节奏、音色、起句等方面具体的分析作品的演唱风格外，还对其中的一首著名咏叹调维利亚之歌做了详细地分析，并且从演唱的角度把轻歌剧和歌剧做了一个比较，从而使人们能够更深刻的理解轻歌剧演唱的风格。

John Strauss' three acts operette "Bat" is one of the most representative works, from which we can enjoy the endless artistic charm of operette.

约翰·施特劳斯的三幕轻歌剧《蝙蝠》，是轻歌剧中最具有代表性的作品，从中可以感受到轻歌剧的无穷艺术魅力

Musical is formed from the comedy and operette which derived from the classical opera, and also absorbed broadly the factors from the jazz, country music, rock roll and modern dance etc. Based on that, the musical becomes a kind of all-round stage art, and the base form in which drama is the basis, the music is the dominant, and dance is the important representation.

音乐剧渊源于从传统正歌剧中派生出的喜歌剧、轻歌剧等，并广泛吸收了爵士音乐、乡村音乐、摇滚音乐、说唱艺术、现代舞等各种表现因素，逐步发展成为一种兼容并包的综合性舞台艺术形式，形成了以戏剧为基础、音乐为主导、舞蹈为重要表现手段的基本形态。

His amazing output of dance pieces would have surpassed that of his elder brother, had he survived, as Johann was by then concentrating on writing music for operettas and other stage works.

约瑟夫的哥哥小约翰，看见约瑟夫的作品后，自知不如。自此以后，哪怕约瑟夫逝世，小约翰也只集中精力写轻歌剧和其他作品，只会偶尔把轻歌剧中动人的旋律，改编为舞曲而已。

However, as the name（read－only memory）implies, CD disks cannot be written onorchanged in any way.

然而，正如其名字所指出的那样，CD盘不能写，也不能用任何方式改变其内容。

Galvanizes steel pallet is mainly export which suits standard packing of European Union, the North America. galvanizes steel pallet is suitable to heavy rack. Pallet surface can design plate type, corrugated and the gap form, satisfies the different requirements.

镀锌钢托盘多用于出口，替代木托盘，免薰蒸，符合欧盟、北美各国对出口货物包装材料的法令要求；喷涂钢托盘适用于重载上货架之用，托盘表面根据需要制作成平板状、波纹状及间隔形式，满足不同的使用要求。