轮盘赌

"Like playing roulette and drinking booze and yakking."

"例如玩轮盘赌，狂饮和喋喋不休"

As the chronicler of their high-rolling adventure exclaims in the book The Eudaemonic Pie,"Why would anyone play roulette without wearing a computer in his shoe?"

所以，就像那位记录他们的高赢率冒险尝试的作者在那本名叫《幸福的馅饼》书里所大声疾呼的那样：&干嘛不在鞋里穿上计算机去玩轮盘赌？&

As the chronicler of their high-rolling adventure exclaims in the book The Eudaemonic Pie,"Why would anyone play roulette without wearing a computer in his shoe?"

正如那位记录他们的高赢率冒险尝试的作者在那本《幸福的馅饼》书里大声疾呼的那样：&干嘛不在鞋里穿上计算机去玩轮盘赌？&

As the chronicler of their high-rolling adventure exclaims in the book The Eudaemonic Pie,"Why would anyone play roulette without wearing a computer in his shoe?"

所以，就像那位替他们的高赢率冒险写编年史的史家在那本名叫《幸福的馅饼》书里所大声疾呼的那样：&干嘛不在鞋里穿上计算机去玩轮盘赌？&

But their conversation had now turned from war and politics to amusements- roulette , bordellos, greyhound racing, romantic Turkish baths, dancing girls, film stars

可是他们的谈话题材现在却从军事政治移到了娱乐——轮盘赌，咸肉庄，跑狗场，必诺浴，舞女，电影明星

The roulette game is Ogaki Kyoritsu's second shot at jazzing up its ATM services.

轮盘赌游戏是该银行增加自动取款机服务乐趣的第二次尝试。

The roulette game is Ogaki Kyoritsus second shot at jazzing up its ATM services.

轮盘赌游戏是大垣共立银行增加自动取款机服务乐趣的第二次尝试。

Across the room, somebody at the big roulette wheel-shaped bar rang a bell.

穿过屋子，一群人在轮盘赌的桌子那儿围成一圈。

The numbers on a roulette wheel never change, but markets offer no guarantee that yesterday's odds will be the same tomorrow.

轮盘赌上的数字永远不变，然而市场却从不担保发生在昨天的机会，明天一样会发生。

John:Kelly and I are going over to the roulette wheel.

约翰：我和凯利去玩轮盘赌。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。