转身

And so it was: he turned abruptly, hastened into the house again, shut the door behind him; and when I went in a while after to inform them that Earnshaw had come home rabid drunk, ready to pull the whole place about our ears (his ordinary *** of mind in that condition), I saw the quarrel had merely effected a closer intimacy had broken the outworks of youthful timidity, and enabled them to forsake the disguise of friendship, and confess themselves lovers.

真是这样，他猛然转身，急急忙忙又回到屋里，把他背后的门关上。过了一会当我进去告诉他们，恩萧已经大醉而归，准备把我们这所老宅都毁掉（这是在那样情况下他通常有的心情），这时我看见这场争吵反而促成一种更密切的亲昵--已经打破了年轻人的羞怯的堡垒，并且使他们抛弃了友谊的伪装而承认他们自己是情人了。

And so it was: he turned abruptly, hastened into the house again, shut the door behind him; and when I went in a while after to inform them that Earnshaw had come home rabid drunk, ready to pull the whole place about our ears( his ordinary frame of mind in that condition), I saw the quarrel had merely effected a closer intimacy had broken the outworks of youthful timidity, and enabled them to forsake the disguise of friendship, and confess themselves lovers.

而事实也正是如此，只见他突然转身，迅速的返回屋子并狠狠的将门关上。我回到屋里告诉他们恩萧醉醺醺地回来了，于是大家都侧耳静听，不一会就听到吵声。我发现，争吵反而使他们的关系更加亲密，使年轻人不再胆怯，脱去伪装，向自己的恋人坦白。

Rambis talked to the guards about overplaying the passing lanes and talked to the big men about rotating faster to draw a charge or block a shot.

Rambis告诉后卫在底线干扰传球提醒大个子转身再快一点去干扰对手投篮或盖帽。

And then you were gone,pattering up the staris.

之后你转身，噔噔噔地跑上了楼。

She pivoted on her heels and swept out.

她一转身，匆匆走了出去。

She pivoted on her heel s and swept out.

她一转身，匆匆走了出去。

She pivoted around and walked out.

她一转身走了出去。

Huo Qing-Feng keeps kneeling and prostrates himself three times to bid a most respectful farewell to Po and Doug.

霍青锋跪在那，向童博和豆豆的方向拜了三拜，将凝碧剑留在地上然后转身狂歌而去

Quelling her grief, she said 'Good-bye!'again and went on.

她把悲痛压下去，二番说了一声再见，又转身走去了。

Quelling her grief, she said " good-bye !"

她把悲痛压下去，二番说了一声再见，转身走了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。