转身

Third, I have five turns of the trumpet!

三，我有5个转身了的小号！

If I turn around, you're behind me.

如果我转身，你就在我身后。

Didn't think I'd turn around ,and say.....

你大概没想到我会转身，对你说。。。。。。

I will turn around and you'll always know that I'll be at your side!

我转身，你会知道，我总是会在你身！

I tried to turn away from him again, but he held me fast.

我试图转身再次挣脱他，但他眼疾手快地抓住了我。

Is not the final will depend on when you need to turn away .....?

是不是最后的依靠也会在你需要的时候转身离去。。。。。？

58 I don't know, Please don't turn your back.

19：26 我不知道，请不要转身而去。

I would like to turn left.

我要转身离开的时候。

He does not sell, you turn left.

他不卖，你转身就走。

If you really feel that I love you, please do not turn right?

如果你真能感觉到我的爱请你别转身好吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。