转身

Once again it brought tears to my eyes, and once again I turned away.

我忍不住又一次热泪盈眶，再次转身离去。

There is plenty of grass for him by our palings, and in the winter we could keep him in the room with us.

换完以后，农夫本可以转身回去了，他不是把要办的事办完了吗。

Just as she brushed past me, I turned and took the pandanus out of her basket.

就在跟她擦身而过之际，我即转身抓取了她背上的林投果

He turned over towards the light and lay gazing into the glass paperweight.

屋子里开始发暗，他转身凑着光亮，盯着玻璃镇纸看。

And that's what I think gave her the ability to then, when Peggy Peabody, her mother, comes in and says,"No I'm gonna get you out of this like I always do," Helena turns around and says, No, because you're always doing that to me.

我觉得那给了她能力去拒绝她妈妈的帮助，当她的妈妈Peggy Peabody前来对她说："不，我会像往常一样，带你远离麻烦，" Helena就转身说：不，就是因为你常常帮我那样做。

Simply learn all the moves in the detailed guide, slip on the sexy Peekaboo garter provided, turn on some music and away you go!

只是要了解所有的详细指导动作，滑性感躲躲猫提供的袜带，在某些音乐转身离开你去！

The effervescent Parker, the only actress who can mix perkiness with morbidity in just the right amounts, anchored the show with her amazing turn as Nancy, who by the end of the first season had become a kind of soccer-mom version of Michael Corleone, entering a corrupt world with both trepidation and fascination--and totally enamored of the power it brought her.

帕克的气泡，唯一的女演员谁可以混合perkiness的发病率在短短的正确金额，挂靠的显示与她惊人的转身，南希，谁在第一个赛季结束已成为一种足球妈妈版迈克尔柯里昂，进入一个腐败的世界，既恐惧和魅力-与完全迷恋权力带来了她。

I'll always be pickin' you up when you're down, so just turn around.

当你感觉到难过时，我永远都会是你的支柱，只要你转身向我。

You didn't know that he also piped his eyes in the split second he was leaving behind you.

你不知道的是在他转身离去的那一刹那，他也流泪了。

He's the best in everything - dribbling,passing,faking and pivoting.

他各方面的技术都是最突出的——无论是运球、过人、假动作还是转身。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。