转身

She touched the violin lightly as it caught the glow of the late-afternoon sun, then turned and threw her arms

小提琴映照着黄昏后太阳的红光，她轻轻地弹它，然后转身，伸出胳臂去环抱微笑着的父亲。

She touched the violin lightly as it caught the glow of the late-afternoon sun, then turned and threw her armsaround her smiling father.

小提琴映照着黄昏后太阳的红光，她轻轻地弹它，然后转身，伸出胳臂去环抱微笑着的父亲。

It would mean that I could just turn around and leave now.

我现在可以转身就走我没有这样做

But the girl, turned around to leave.

可女孩，转身离开了。

I cannot turn around to leave, each other forever.

我不会转身离开，彼此永远。

One turned around to leave you, made me forget that life is not law.

一转身便离去的你，却让我一生都不法忘记。

Turned around to leave, but I did not know when it will re-visit familiar places.

一转身就要离开，而我不知道到何时才会重游故地。

As they turned to go leftwards, Fahmu pointed to the display board on the wall which said that the Cooper-Browne collection was on the second floor.

当他们转身要向左走时，法哈姆指着墙上的指示板说库珀布朗珠宝藏品是在二楼。

Thrusting a tiny bouquet of lily of the valley into my hand, she made a sor

前。她哽咽着把一小束铃兰塞到我的手里，然后转身离去。

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We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。