车库

It's in my garage.

在我的车库里

I think he's got it in that garage.

我想他把它放进车库里了

I've already put it in the garage.

我已经把它放进车库了。

You can put up your car in our garage, as it's empty at the moment.

你可以把你的车停进我们的车库，它现在是空着的。

I lied to you in the garage.

我给你在说谎车库。

I'm in a garage.

我在一个车库里

I have a painting of him in my garage.

在我的车库里，有一张他的画像。

Well, you said it was in a garage, right?

你说当时是在车库里对吧？

I don't think the garage is in here, either.

我也不认为车库会在里面

Because of this, he has not been able to get his own car into his garage even once.

因此，他一次也没能把自己的车开进车库里。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。